November 15, 2012

Review: The Paternity Test

The Paternity Test By Michael Lowenthal
Available now from Terrace Books (University of Wisconsin Press)
Review copy

Before I began reading THE PATERNITY TEST, I read a review from Roof Beam Reader's Literary Others event that worried me.  Geoff (The Oddness of Moving Things) was turned off the book from the beginning due to a line that struck him as misogynistic.  Despite being forewarned, I read right over that line.

The prospective parents in THE PATERNITY TEST are Pat and Stu, two men looking to save their marriage.  Their relationship began to erode as Pat became more jealous of Stu's extramarital partners and Stu failed to notice Pat's discontent.  But now they've moved away from the city, to Cape Cod, and are looking for a woman to be a surrogate.  They think they've finally found the perfect mother in Brazilian immigrant Debora, but unfortunately things aren't that easy.

Being a parent is hard.  It can be hard to simply have a child, as Stu and his sister find out.  (She's attempting to adopt, but having difficultly in adopting a Jewish child.)  It can be hard to have only one child if you feel you're meant to give birth again, like Debora.  It can be hard if you don't agree with how your children are doing now that they're grown up, like Stu's parents.  And romantic relationships are hard too, even without the complication of children.  And THE PATERNITY TEST is all about tangled relationships.

Michael Lowenthal's characters are complex, flawed, and often somewhat ignorant in their flaws.  Pat, for instance, likes to think of himself as an activist, but he can be very hypocritical and unaware of his own prejudice.  It's a flaw that has serious consequences.  Many other characters have to own up to their own shortcomings as well.

One of my favorite aspects of THE PATERNITY TEST was that I did not figure out where it was going.  I thought I knew how this book would go when I began it, but I was totally and completely wrong.  There are some big twists, which isn't exactly what you expect when reading a character-driven novel. 

I found the ending slightly abrupt, but not unsatisfying.  THE PATERNITY TEST is a well-done drama, delving deep into the life of a couple fighting to stay together and be happy.  The characters aren't always likeable, but that's because they're complicated people.  I enjoyed THE PATERNITY TEST, particularly as a change in style from my usual reading.

November 14, 2012

Review: Miss Fortune Cookie

Miss Fortune Cookie By Lauren Bjorkman
Available now from Henry Holt (Macmillan)
Review copy

Erin attends the prestigious Lowell High School, along with her best friends Mei and Linny.  In just a few days they'll know which colleges they got in to, but the girls aren't sure where they want to go.  Then Mei writes to advice blogger Miss Fortune Cookie and decides to follow her advice.  But Erin is secretly Miss Fortune Cookie and not certain she gave her friend the best counsel.

I really enjoyed MISS FORTUNE COOKIE.  Erin is a terrific main character.  She jumps to conclusions, interferes in other people's business, and struggles with her own life dilemmas just as much as the people who write to her.  At the same time, she's very loyal to her friends and family and almost everyone her age struggles with knowing themselves.  And I loved the equations she came up with to describe the situations she finds herself in.

The cultural aspect of MISS FORTUNE COOKIE adds a lot of interest to what could be a standard tale of senior year angst and hijinks.  Erin is white but was born in China and lived there for several years, before being raised in San Francisco's Chinatown.  She struggles with reconciling her culture to what people expect of her based on her appearance.  She also struggles with believing that her friends truly accept her as she is.  There's some wonderful plot involving just how untrustworthy memory can be.

Lauren Bjorkman folds a bit of nonfiction in to the mix, as a real-life counter protest of the vile Westboro Baptist Church at Lowell happens during the course of the novel.  Obviously, in MISS FORTUNE COOKIE it is fictionalized since the main characters are heavily involved.  I thought it was an interesting touch, but I'm not sure it meshed well with the themes of MISS FORTUNE COOKIE.  I can't say that I entirely mind a book stalling the story a little to say that hate is bad and God loves everyone, however.  It's a point that needs to be made repeatedly.

MISS FORTUNE COOKIE will appeal to contemporary fans who like stories of female friendship with a touch of romance.  All three of the girls have a love interest, and their romantic storylines ended up more realistic than I first expected.  There's nothing particularly memorable about MISS FORTUNE COOKIE, but it does have an intriguing setting and charm.

November 13, 2012

Review: Fairy Tales from the Brothers Grimm: A New English Version by Philip Pullman

Fairy Tales By Philip Pullman
Available now from Viking (Penguin)
Review copy
Don't forget to enter the giveaway and read the excerpt

I am a fairytale geek.  I am crazy about them and have been since I was a wee child.  I keep various anthologies on my shelf, including the complete Grimm, some Russian tales, and Jack Zipes' fantastic French fairy tale translations.  When I heard Philip Pullman was coming out with a collection, I knew I needed it.

FAIRY TALES FROM THE BROTHERS GRIMM: A New English Version lives up to my expectations.  The selected tales cover both the extremely popular ("Cinderella") and the obscure ("The Stolen Pennies").  Thus reading the anthology straight through is a mix of rediscovering old favorites and being surprised by stories you don't really remember (or have never read before).  I will admit to skipping around rather than following Pullman's order, but I think FAIRY TALES FROM THE BROTHERS GRIMM works either way.  And I was definitely keeping track of which stories would be best to read aloud to the niece and nephew.

Pullman doesn't pull back from the stories' gorier moments and doesn't cut earthier references, but he doesn't play them up either.  People might be thrown in barrels full of nails and rolled into the sea, but there's no visceral descriptions of violence.  The sexual references tend to be symbolic and nothing that will cause any kiddies to ask strange questions about the birds and the bees.  Basically, I think these retellings will work for kids and adults, which is fitting for fairytales.

I loved the brief notes at the end of each story.  He includes the attribution of the stories and rightfully adds to the Grimm brothers' praise of the talented Dorothea Viehmann.  It's nice to see her contribution extensively praised in a major collection.  Pullman explains in a few paragraphs why he chose to include certain episodes, or why he thought certain phrases were the best translation for the story.  I generally feel like he accomplished the goal he laid out in the Introduction: to tell these fairy tales with a focus on story.  The only time I was thrown out of a tale was when he used the phrase "weapon of mass destruction" which felt far too modern to me.

Fans of fairytales can safely flock to FAIRY TALES FROM THE BROTHERS GRIMM.  Pullman is an incredible author who I usually think of as detailed and somewhat convoluted.  But in this collection he restrains himself and tells the fairytales in a concise manner, keeping his language simple instead of overwhelming these familiar stories with his distinctive voice.  But that isn't to say the tales are plain - Pullman has a knack for a memorable turn of phrase.

Basically, FAIRY TALES FROM THE BROTHERS GRIMM is everything I'd hoped it would be.  It's difficult for me to be objective about fairytales, so I'd've been very disappointed if this collection wasn't any good.  And I think it's terrific.

Fairy Tales from the Brothers Grimm by Philip Pullman: Excerpt and Giveaway

Fairy Tales I have a special treat today.  Philip Pullman, author of the His Dark Materials trilogy, wrote a new English version of fifty favorite German fairy tales.  This collection, FAIRY TALES FROM THE BROTHERS GRIMM, came out last week and let me tell you: it's a keeper.  To celebrate the release, I have an excerpt - the complete text of "The Frog King, or Iron Heinrich" - and one lucky In Bed With Books winner will win a hardcover copy.  I'm not normally a hardcover fan, but this is the kind of book you want in hardcover so that you can give it a nice, prominent place on your shelf.



Reprinted by arrangement with Viking, a member of Penguin Group (USA) Inc., from FAIRY TALES FROM THE BROTHERS GRIMM by Philip Pullman. Copyright © Philip Pullman, 2012

The Frog King, or Iron Heinrich

   In the olden days, when wishing still worked, there lived a king whose daughters were all beautiful; but the youngest daughter was so lovely that even the sun, who has seen many things, was struck with wonder every time he shone on her face. Not far away from the king’s palace there was a deep dark forest, and under a lime tree in the forest there was a well. In the heat of the day the princess used to go into the forest and sit by the edge of the well, from which a marvellous coolness seemed to flow.
   To pass the time she had a golden ball, which she used to throw up in the air and catch. It was her favourite game. Now one day it happened that she threw it a little carelessly, and she couldn’t catch it. Instead the ball rolled away from her and towards the well, and then it ran right over the edge and disappeared.
   The princess ran after it, and looked down into the water; but it was so deep that she couldn’t see the ball. She couldn’t even see the bottom of the well.
She began to cry, and she cried louder and louder, inconsolably. But as she wept and sobbed, someone spoke to her. “What’s the matter, princess? You’re crying so bitterly, you’d move a stone to pity.”
   She looked round to see where the voice was coming from, and saw a frog who’d stuck his big ugly head out of the water.
   “Oh, it’s you, you old splasher,” she said. “I’m crying because my golden ball’s fallen into the water and it’s so deep and I can’t see it.”
   “Well, you can stop crying now,” said the frog. “I can help you, but what will you give me if I fetch your ball for you?”
   “Whatever you want, frog! Anything! My clothes, my pearls, my jewels, even the golden crown I’m wearing.”
   “I don’t want your clothes, and your jewels and your golden crown are no good to me, but if you love me and take me as your companion and your playmate, if you let me sit next to you at the table and eat from your dish and drink from your cup and sleep in your bed, then I’ll dive down and bring up your golden ball.”
   The princess thought “What is this stupid frog saying? Whatever he thinks, he’ll have to stay in the water where he belongs. But still, perhaps he can get my ball.” But of course she didn’t say that. Instead she said “Yes, yes, I’ll promise you all of that if you just bring my ball back.”
   As soon as the frog heard her say “Yes” he put his head under the water and dived to the bottom. A moment later he came swimming back up with the ball in his mouth, and he threw it on to the grass.
   The princess was so happy to see it that she snatched it up and ran off at once.
   “Wait, wait!” called the frog. “Take me with you! I can’t hop as fast as you can run!”
   But she took no notice. She hurried home and forgot all about the poor frog, who had to go back down into his well.
   Next day the princess was sitting at table with her father the king and all the people of the court, and eating off her golden plate, when something came hopping up the marble steps: plip plop, plip plop. When it reached the top it knocked at the door and called: “Princess! Youngest princess! Open the door for me!”
   She ran to see who it was, and opened the door, and there was the frog.
   Frightened, she slammed the door shut at once and ran back to the table.
   The king saw that her heart was pounding, and said “What are you afraid of, my child? Is there a giant there at the door?”
   “Oh, no,” she said, “it’s not a giant, it’s a horrible frog.”
   “What does the frog want with you?”
   “Oh papa, yesterday when I was playing in the forest near the well, my golden ball fell in the water. And I started to cry and because I was crying so much the frog got it for me, and because he insisted, I had to promise that he could be my companion. But I didn’t think he’d ever leave the water, not really. But there he is outside the door and he wants to come in!”
   And then there came a second knock at the door, and a voice called:
   “Princess, princess, youngest daughter,
   Open up and let me in!
   Or else your promise by the water
   Isn’t worth a rusty pin.
   Keep your promise, royal daughter,
   Open up and let me in!
   The king said “If you make a promise, you have to keep it. Go and let him in.”
   She opened the door and the frog hopped in. He hopped all the way to her chair.
   “Lift me up,” he said. “I want to sit next to you.”
   She didn’t want to, but the king said “Go on. Do as he says.”
   So she lifted the frog up. When he was on the chair, he wanted to be on the table, so she had to lift him up there as well, and then he said “Push your golden plate a bit closer so I can eat with you.”
   She did, but everyone could see that she wasn’t enjoying it. The frog was, though; he ate her food up with great pleasure, while every mouthful seemed to stick in the princess’s throat.
   Finally the frog said “Well, I’ve had enough now, thank you, I’d like to go to bed. Carry me up to your room and get your silken bed ready so we can sleep in it.”
   The princess began to cry, because the frog’s cold skin frightened her. She trembled at the thought of him in her sweet clean bed. But the king frowned and said “You shouldn’t despise someone who helped you when you were in trouble!”
   She picked the frog up between finger and thumb and set him down outside her bedroom door.
   But he kept on knocking and called “Let me in! Let me in!”
   So she opened the door and said “All right! You can come in, but you must sleep on the floor.”
   She made him lie down at the foot of her bed. But still he said “Let me up! Let me up! I’m just as tired as you.”
   “Oh, for goodness’ sake!” she said, and picked him up and put him at the far end of her pillow.
   “Closer! Closer!” he said.
   But that was too much. In a flash of anger she scooped up the frog and threw him against the wall. But when he fell back into the bed, what a surprise! He wasn’t a frog any more. In fact he’d become a young man – a prince – with beautiful smiling eyes.
   And she loved him and accepted him as her companion, just as the king would have wished. The prince told her that an evil witch had put a spell on him, and that only she, the princess, could have rescued him from the well. What’s more, on the following day a carriage would come to take them to the prince’s kingdom. Then they fell asleep side by side.
   And next morning no sooner had the sun awoken them than a carriage drew up outside the palace, just as the prince had said. It was pulled by eight horses with ostrich plumes nodding on their heads and golden chains shining among their harness. At the back of the coach was Faithful Heinrich. He was the prince’s servant, and when he’d learned that his master had been changed into a frog, he was so dismayed that he went straight to the blacksmith and ordered three iron bands to put around his heart to stop it bursting with grief.
   Faithful Heinrich helped them into the carriage and took his place at the back. He was overjoyed to see the prince again.
   When they’d gone a little way, the prince heard a loud crack from behind. He turned around and called out:
   “Heinrich, the coach is breaking!”
   “No, no, my lord, it’s just my heart. When you were living in the well, when you were a frog, I suffered such great pain that I bound my heart with iron bands to stop it breaking, for iron is stronger than grief. But love is stronger than iron, and now you’re human again the iron bands are falling off.”
   And twice more they heard the same cracking noise, and each time they thought it was the carriage, but each time they were wrong: it was an iron band breaking away from Faithful Heinrich’s heart, because his master was safe again.

   Type: ATU 440, The Frog King
   Source: the Wild family
   Similar stories: Briggs: The Frog, The Frog Prince, The  Frog Sweetheart, The Paddo
   One of the best-known tales of all. The central notion of the repulsive frog changing into a prince is so appealing and so full of moral implication that it’s become a metaphor for a central human experience. The common memory is that the frog becomes a prince when the princess kisses him. Grimm’s storyteller knows otherwise, and so do the tellers of the versions in Briggs, where the frog has to be beheaded by the maiden before changing his form. The kiss has a lot to be said for it, however. It is, after all, another form of folklore itself, and what else is the implication of his wishing to share the princess’s bed?
   The figure of Iron Heinrich appears at the end of the tale out of nowhere, and has so little connection with the rest of it that he is nearly always forgotten (but he must have been thought important enough to share the title). His iron bands are so striking an image that they almost deserve a story to themselves.


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November 12, 2012

Movie Monday: Wristcutters: A Love Story

Wristcutters My dad saw Wristcutters when channel surfing one day and saved a copy on his Tivo because he figured I'd enjoy it.  And he was right.  The movie caught my attention from the beginning, wherein Zia (Patrick Fugit) cleans his apartment to a morbid Tom Waits song before committing suicide.  Wristcutters then reveals that he's working at Kamikaze Pizza in a sort of Purgatory for those who commit suicide.  It's basically our world, just a little worse.  No one smiles.  Most of what's broken can't be fixed.  It's boring.  But Zia gains new purpose when he finds out that his girlfriend Desiree (Leslie Bibb) also committed suicide, meaning that they can reunite in the afterlife.



He sets off with his new friend Eugene (Shea Whigham) in a car with a black hole under the passenger's seat.  Pretty soon they pick up hitchhiker Mikal (Shannyn Sossamon, A Knight's Tale), who has great chemistry with Zia - which doesn't exactly jibe with his quest.  Wristcutters is a quest narrative, a road trip story, a romance, and ultimately less tragic than you might expect.  It's also extremely funny, with humor ranging from slapstick to black.  For example, most of the characters are established with a shot of how they offed themselves.  This is much funnier than you might expect.  (Which wouldn't be hard since it doesn't sound funny at all.)

Director Goran Dukic made a pretty good movie, despite the obviously indie-sized budget.  Some of the effects are laughable, but he does a good job of making the landscape seem otherworldly and slightly magic.  And the soundtrack is amazing.  In addition to Tom Waits (who plays a character in the movie as well as providing music), there's a bunch of Gogol Bordello and I love me some Gogol Bordello.  (Apparently the character of Eugene was inspired by the band's lead singer.)  And of course "Love Will Tear Us Apart" is popular in a Purgatory for suicides.

I haven't read the short story Wristcutters is based on ("Neller's Happy Campers" by Etgar Keret), but I want too in order to compare the two.  I hope the story is as funny, charming, and poignant as the movie.  But even if it isn't any good, I can just watch the movie again.  And I'm sure it will hold up to a second viewing.


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