Review: Learn to Draw True Beauty

By Yaongyi
Step-by-step artwork by Ryan Axxel

Available now from Walter Foster Publishing

Review copy

I enjoyed the True Beauty webtoon, so I thought it would be fun to go through the Learn to Draw True Beauty book. I feel like this is a great idea for a tie-in to inspire young fanartists, with perhaps information they can also carry on to other art.

I found it a little disappointing how much of this title is fluff. This book has 96 pages. Getting Started is on page 22, with a full-page title page and full-page image of Jugyeong (the main character), with the actual information starting on page 24. Before that is intros to what webtoons are, what the story of True Beauty is, and who the main characters are. The most useful bit in these pages is the palettes for the main characters, listed on each of their pages. In general, I don't find these pages very useful since this book is aimed at people who are already fans of True Beauty.

The step-by-step section begins on page 34, again with a two-page splash before the information starts. As far as step-by-step goes, this book is definitely written for artists who already know the basics and just want to focus on the details of these characters. This is not a book for beginners, which might disappoint some young fans.

This is a well-produced book. Good paper, beautifully printed colors, good imagery to follow. But I feel like about a fifth of the book is wasted and could've been used to give more detail on the actual drawing part. Some fans will enjoy this tie-in, but I think many fanartists can develop their own takes on the characters without its help. A little more focus on the basics and details to make this more friendly to beginners would give the book a wider appeal.

Review: Saigami, Volume 1: Re(Birth) by Flame

By Seny (Andrea Otília Vörös)

Available now from Saturday AM

Review copy

Saigami comes from Saturday AM, which has been publishing webcomics online for ten years and recently moved into publishing physical copies of their most popular titles. I like Saturday AM's efforts to build up a diverse portfolio of artists from all over the world, but don't love their marketing of being the world's most diverse manga company. Yes, most manga isn't diverse because it is literally Japanese comics. But manga has been influencing creators around the world for decades now, so I think there is room for OEM (Original English-language Manga). However, I can't recommend Saturday AM as a publisher because there has been controversy about them paying artists.

Saigami starts in our world, where Ayami is a high-school girl with an absent father, a mother who is usually at work or drinking, and a house full of trash. She's struggling, and even her old refuge in books is starting to fail. Then, she gets a mysterious letter from her father, goes to meet him, and falls into a fantasy world where people called 'saigami' have elemental powers (and some even have dragons!). It's a pretty standard isekai setup delivered without much flair. There's a lot of exposition, both before and after Ayami ends up in another world, and certain things get brushed over without a thought. (If Ayami's father is a big mystery to her, why does she instantly know the letter is from him? Why isn't she curious about why her father's letter led her to a mysterious land?)

Once in another land, Ayami quickly meets two boys about her age: the friendly and well-connected Sean and the hostile outcast Reyji. They're both broad types with little sense of an inner life. Ayami gets to go on an important journey with them, even though she's utterly unqualified, as Reyji points out. Of course, as is obvious, Ayami turns out to be a saigami.

The story is fairly predictable and I wasn't drawn in my the characters. The art is okay. The backgrounds are quite nice, there is decent flow between panels, and I can understand what is happening easily. The character designs are consistent, but plain and somewhat amateur, with little variation in faces. Saigami reads like what it is: an OEM by someone who likes manga. Its inspirations are clear, but it doesn't really have a spark to make it stand out, despite its heroine's fiery powers.

Review: The Werewolf at Dusk and Other Stories

By David Small

Available now from Liveright

Review copy

Graphic novelist David Small's latest work is an anthology of three graphic short stories. One is written and illustrated by David Small; two are adaptations of existing short stories. All three are united by their use of monstrous creatures. (And, of course, the true monsters are humans.)

These stories tend toward a limited palette, mostly monochromatic blues with pops of red. The pages are constructed more like a picture book than a traditional graphic novel, with limited use of paneling and more narration than dialogue. The stylistic choices help tie these stories together visually as well as thematically. The Werewolf at Dusk and Other Stories is an anthology where I understand that throughline connecting the works.

The titular story is adapted from a story by Lincoln Michel. Lycanthropy as a metaphor for adolescence has become a cliche. This story takes that metaphor to the other end, exploring old age for an elderly werewolf. The pages that switch between the wolf as a young man and an old man are quite effective. He's a fascinating narrator, speaking of his nightmares of the moon even as he clearly misses the violence he used to inflict in those vital days.

"A Walk in the Old City" follows a burnt-out psychologist as he gets lost then saved by a seemingly friendly stranger. The sinister turn is perhaps obvious, but told with the glee of an entry in Scary Stories to Tell in the Dark. (And, I must say, the blind man's disdain for the psychologist is entirely understandable, even if his methods are quite extreme.)

The final story in the anthology, "The Tiger in Vogue," adapts a story by Jean Ferry. I appreciated that David Small's foreword (and a note afterword) illuminate the more liberal changes he made to the story, mostly to help make the 1920's German setting clear to a modern audience (rather than a contemporary one). This story is the largest departure stylistically, but the violence threatening to break out is a familiar thread. This one also intrigued me into picking up the original short story. The complicity of the audience feels all too timely, even though the source material is the oldest in the anthology.

The Werewolf at Dusk and Other Stories is not a long read, at less than 200 pages. However, I did find each story thought-provoking.

Review: The Jane Austen Escape Room Book

Illustrated by Marjolein Bastin

Available now from Andrews McMeel Publishing

Review copy

Marjolein Bastin, known for her art featuring nature, has previously illustrated all of Jane Austen's novels. Now, her art is used to create a puzzle book featuring characters from Pride and Prejudice. (The original edition is under copyright by a German company; I could find no credit for the author of the text.) I've experienced many Pride and Prejudice spin-offs, and as someone who loves puzzles, this one intrigued me.

The title refers to an escape room, and many of the puzzles are similar to an escape room's in nature, such as holding paper up to a light to see a hidden message. However, no one needs to escape a room in the story. Instead, Elizabeth Bennett must escape a ploy to ruin her reputation. Can she discover who tried to ruin her and why, and convince Mr. Darcy to still consider marriage?

The text doesn't try very hard to sound like Austen, except for some dialogue. It also doesn't use paragraph breaks between speakers, which I hated as a stylistic choice. But the text is fine for setting up the puzzles, and sometimes contains clues.

The puzzles vary in difficultly. There's one that requires solving a simple subtraction problem at the easy end. On the difficult end I would put one of the more complicated math problems or the more involved cipher on the newspaper. There's at least one puzzle that isn't difficult but is tedious, involving choosing the right set of three recipes from a group of eight. Printing them in various handwriting-style fonts, with the recipes arranged at all angles looks beautiful, but is a pain to read.

If someone does have too much trouble, the answers are always given at the beginning of the next puzzle. There is also a solutions section in the back, as well as a newspaper page with more hints.

My largest issue with this book is the layout. Some puzzles have additional material in the back. These are all perforated pages that can be pulled out of the book, although only one of them actually needs to be pulled out to be solved, so I'm not sure of the purpose of doing them this way. You have to figure out on your own to flip to the back ... which also requires flipping past the solutions while trying not to look. Worse though is that the extra hints are included between the ending and the solutions. I had no idea they were there until I was done with the book. The introduction mentions referring to an appendix, but I thought that meant the same section as the extra material. Due to placement, I don't think they'd be very helpful to many puzzlers.

The art in The Jane Austen Escape Room is beautiful, and I enjoyed looking at it. But I didn't love the puzzles. Sometimes I would've preferred more instructions, because I was often left thinking, "Surely, I'm meant to do more than just look at this clearly labeled map?" (No, that was all I needed to do.) My favorite puzzle was actually the final seating chart one. There are only 18 puzzles, so I could get far more puzzles for my money in a puzzle book without the Jane Austen framing. The framing was cute, but executed fairly indifferently. I feel like this book won't quite satisfy Austen or puzzle fans, beautiful though it is.

Review: Silver Alert

By Lee Smith

Available now from Algonquin Books

Review copy

I never go on a road trip without books. Silver Alert seemed like a perfect choice, the story of an octogenarian and his ailing wife's manicurist going on a wild joyride. Little did I know that their joyride wouldn't start until over halfway into the novel. This is not a road book at all.

Silver Alert is written in a stream-of-consciousness style, switching between the points of view of Herb and Renee/Dee Dee. Herb is an old womanizer with multiple terrible kids. His younger wife has severe dementia, and he's struggling to care for her while denying that he needs care himself. Enter Dee Dee, a seemingly naive young manicurist who clearly isn't licensed, but can actually help calm Susan down and make her happy. Dee Dee is dealing with her own struggles, living in a trailer park with a friend who is getting involved with the wrong guy, while Dee Dee herself gets involved with a rich young poet.

While Silver Alert is written in a breezy style that makes it an easy read, it does deal with heavy subject matter. There's the loss of control over one's own life before death, of course. But there's also Dee Dee's past, which deals with sex trafficking and child abuse. The problem is that Dee Dee's character never felt believable to me. She supposedly has a seventh grade education, but is written more like she only has a third or fourth grade education. It made me wonder if Lee Smith initially wrote the abuse starting earlier, then decided that was too dark. More than that, Dee Dee is immensely trusting, including the men in the story. 

Conversely, I find Herb's voice very believable. I've seen dementia up close, and feel like Lee Smith has as well. There's little touches, like Herb having very little thought-to-mouth filter that make his developing mental state clear, even while he's in denial. Him not wanting to deal with intense medical treatment at his age (for a diagnosis he tries to keep secret from his family) also makes sense. Dee Dee being entirely unwary of this man when we've heard his leering thoughts and even his family is aware that he'd make a move on her despite the age difference didn't ring half as true.

I do think that people can maintain their innocence and naivety even through terrible situations. I get the appeal of throwing an old and grouchy character together with a young and optimistic one. But Silver Alert didn't work for me. It wanted to bring up tough subjects but not have them actually affect the characters. Thankfully, it was a quick read.