Showing posts with label literary fiction. Show all posts
Showing posts with label literary fiction. Show all posts

June 7, 2023

Review: Silver Alert

Silver Alert
Available now from Algonquin Books
Review copy

I never go on a road trip without books. Silver Alert seemed like a perfect choice, the story of an octogenarian and his ailing wife's manicurist going on a wild joyride. Little did I know that their joyride wouldn't start until over halfway into the novel. This is not a road book at all.

Silver Alert is written in a stream-of-consciousness style, switching between the points of view of Herb and Renee/Dee Dee. Herb is an old womanizer with multiple terrible kids. His younger wife has severe dementia, and he's struggling to care for her while denying that he needs care himself. Enter Dee Dee, a seemingly naive young manicurist who clearly isn't licensed, but can actually help calm Susan down and make her happy. Dee Dee is dealing with her own struggles, living in a trailer park with a friend who is getting involved with the wrong guy, while Dee Dee herself gets involved with a rich young poet.

While Silver Alert is written in a breezy style that makes it an easy read, it does deal with heavy subject matter. There's the loss of control over one's own life before death, of course. But there's also Dee Dee's past, which deals with sex trafficking and child abuse. The problem is that Dee Dee's character never felt believable to me. She supposedly has a seventh grade education, but is written more like she only has a third or fourth grade education. It made me wonder if Lee Smith initially wrote the abuse starting earlier, then decided that was too dark. More than that, Dee Dee is immensely trusting, including the men in the story. 

Conversely, I find Herb's voice very believable. I've seen dementia up close, and feel like Lee Smith has as well. There's little touches, like Herb having very little thought-to-mouth filter that make his developing mental state clear, even while he's in denial. Him not wanting to deal with intense medical treatment at his age (for a diagnosis he tries to keep secret from his family) also makes sense. Dee Dee being entirely unwary of this man when we've heard his leering thoughts and even his family is aware that he'd make a move on her despite the age difference didn't ring half as true.

I do think that people can maintain their innocence and naivety even through terrible situations. I get the appeal of throwing an old and grouchy character together with a young and optimistic one. But Silver Alert didn't work for me. It wanted to bring up tough subjects but not have them actually affect the characters. Thankfully, it was a quick read.

July 13, 2021

Review: U Up?

U Up?
Available now from Melville House
Review copy

I am a firm believer that protagonists do not have to be likeable. For me to be interested in their story, there must be something intriguing about them, but they don't have to be likeable. U Up? has a protagonist that tests my patience. Eve is relentlessly self-centered, judgmental as hell, and the sort of lesbian who throws around a slur every two seconds like her personal reclamation is activism. (It's a trait that made me wince multiple times a page, on average.) Reading her stream-of-conscious narration was often hellish.

This narration is only broken up by text messages. The poor decision was made, either by publisher Melville House or author Catie Disabato, to print a full-screen of text messages every time instead of just the new texts, often wasting entire pages with repeated texts. In other words, it isn't much of a relief.

In U Up?, Eve is on a rampage because it is the anniversary of her best friend Miggy's suicide and her other best friend Ezra is ghosting her after telling her that he broke up with his girlfriend the night before. Everyone they know tells her to cool it and let him lick his wounds in private, but she's determined that something must have happened to him since he's not answering her calls, and their friendship is extra special.

Oh, and Eve can talk to ghosts. The cover copy mentions that she texts her dead friend Miggy, but I thought that meant she sent texts to the void, saying things to a friend who could no longer speak back. No, she holds conversations with her dead friend Miggy, who also thinks she should cool her jets. Ezra's ex Nozlee can speak to ghosts too, and she and Eve were actually buddies back in New York before they met all their LA friends, because they met in witch school. 

Since U Up? is more literary fiction than speculative fiction, this aspect of the novel tends to recede into the background even though it is the most fascinating thing happening. It's an underbaked element that I kept wishing would be explored more, until it becomes integral to the climax.

I enjoyed the end of the novel more than beginning, partially due to the nature of story about the protagonist going on a journey means that Eve is more bearable by the end. But also because the end has a bunch of weird ghost stuff and that's the best part. 

I found Eve to be a very believable character, but she grated on me too much for me to vibe with her story. I might've enjoyed the full on crazy ghost version of this story, but the one I got dragged for far too long.

May 18, 2021

Review: Yes, Daddy

Yes, Daddy
Available now from Houghton Mifflin Harcourt
Review copy

Yes, Daddy looks like a salacious summer novel. Jonathan Parks-Ramage's debut is something much sadder. I'm not sure that the blurb does it many favors by promising decisive revenge.

The story starts with a glimpse of the trial of Jonah Keller's ex-boyfriend Richard, a famous playwright. From this glimpse, we know that when the time comes, Jonah is unable to tell the truth. He crumples on the stand and saves his own reputation, not letting anyone question whether he deserved it or what kind of victim he is. From there, Yes, Daddy starts an extended flashback detailing their relationship from beginning to end before revealing what happens after. (While taking some oddly meandering detours along the way.)

Jonah is a deliberately difficult protagonist to like. He's vain, shallow, selfish, and callow. Yes, Daddy forces a reaction to a victim who isn't likeable, who doesn't react like victim narratives say they should. I think it is a valid narrative avenue to explore, but I was pretty sick of Jonah before I made it even a third of the way through the novel. 

This is a dark novel, beyond the graphic scenes of sexual assault. Yes, Daddy also deals with harmful religious counseling, invasive and vicious tabloid journalism, incest, probable murder, and suicide. While it doesn't have a completely downer ending, it isn't very uplifting, either. All catharsis is minor.

I think Yes, Daddy is a well-written novel that tackles thorny issues and a prickly protagonist with sympathy. But I didn't much enjoy the experience of reading it.

August 22, 2020

Review: Still Life Las Vegas

Still Life Las Vegas
Illustrated by Sungyoon Choi
Available now from St. Martin's Press
Review copy

Voice actor James Sie's debut novel starts out strong, with a woman pushed to her limit, driving anywhere and lightening the car as she goes — including tossing out a car seat. This woman is Emily Stahl, musician, mother, carer to her depressed husband. The child who normally would occupy that car seat is Walter Stahl.

Still Life Las Vegas alternates between their points of view (Walter in the past, Emily in the present) and Walter's father's point of view (also in the past) and comics (drawn by Walter) telling the story of Emily as told to him by his father. Walter lives in Las Vegas, where his father moved him while trying to find Emily. Now seventeen, Walter is driven to chase down the secrets of his mother's history. A chance meeting with a living statue in the Venetian hotel, Chrysto, also puts him on the path to discovering his sexuality.

I loved both narrators. They're both searching for direction, albeit in very different ways. The interstitial comics are great too, Sungyoon Choi's art a beautiful accompaniment to James Sie's words. It's also provides a clear division between what Walter has been told versus Emily's actual words.

However, I felt that Still Life Las Vegas didn't quite live up to the strength of its opening. I felt Emily had reason to run from the very beginning, but the story keeps adding new layers of sadness to her past and reveals a horror that I think was gratuitous, not adding to the plot or being explored with the weight it deserved. As the story goes on, Walter also has to deal with the unfortunate truth as well as a betrayal.

Still Life Las Vegas is an engrossing bildungsroman, but ultimately too depressing for me. Still, I'm a little sad that James Sie has yet to write a second novel. I think he has a knack for description and character and I'd like to see what he'd write with more polish.

July 21, 2016

Review: The Devourers

The Devourers By Indra Das
Available now from Del Rey (Penguin Random House)
Review copy

I was drawn to THE DEVOURERS by the beautiful traditional illustration on the cover.  Chris Panatier did the front and back cover illustration with ink and watercolor on board, and the full piece can be seen on his Deviantart. The lush, claustrophobic illustration pairs perfectly with the way the beauty of the story envelops you.

I found the opening of THE DEVOURERS somewhat disappointing. It seemed to be devoted to being overly edgy, with the narrator Alok meeting a man with a strange story of being a half-werewolf. Alok agrees to transcribe a set of scrolls for him, and starts with the story of Fenrir, a werewolf who rapes a human woman. Luckily, the novel brought up the exact objection I had and takes a turn into the story of Cyrah, the woman pregnant by a werewolf and determined to confront him with the beast of Gevaudan by her side.

I found Cyrah's tale the most compelling part of THE DEVOURERS. She makes tough decisions for complex reasons, and manages to have true empathy for her traveling companion.  I enjoyed the way that she was able to suss out more of the werewolf culture and find a place for herself bargaining with Fenrir's transgression.  She's a clever, determined woman who is allowed to be angry.

I found that the edginess of THE DEVOURERS evened out as I read. Gender and sexuality are explored through both the nature of these nonhuman creatures and the way they interact with humans. The gore is delightfully horrific, both repulsive and drawing on the human love of the macabre. There's also a lot to enjoy if you like explorations of different cultures, as both historical and modern non-Western human cultures come into play and each tribe of werewolves have their own cultures that shape the characters' behavior.

At first I thought THE DEVOURERS was going to disappoint me, another literary book with a faint layer of the supernatural as an excuse to be shocking. But the book grew on me and I fell under its lovely spell, to find out what happened to Cyrah, Gevaudan, her son, and Alok. And to be sure that Fenrir wasn't forgiven or redeemed.

Indra Das does use a very poetic style that might alienate some (as might the content), but it worked well for me. I also found that there was just enough difference in language between the narrators to make them clearly different people but not disrupt the tone. I certainly look forward to Das' next novel.

July 29, 2015

Review: If I Could Turn Back Time

If I Could Turn Back Time By Beth Harbison
Available now from St. Martin's Press
Review copy

It's hard to remember now why I picked up IF I COULD TURN BACK TIME.  I think it was the promise of time travel, which I tend to enjoy.  But the blurb hints at one of my major problems with the book.  IF I COULD TURN BACK TIME falls into that old pattern of successful, self-made woman figures out what she really needs is to be emotionally honest and find her soulmate.

In the end, I think IF I COULD TURN BACK TIME did some interesting things, but they tended to be too little, too late.  The execution of the beginning didn't grab me.  When Ramie wakes up after her disastrous 38th birthday party as a seventeen year old, she falls into a tendency to repeat information over and over as if the reader might've forgotten a detail from the previous two pages.  The timeline also doesn't quite work.  Ramie is clear that the first time she lost her virginity was six months after her eighteenth birthday, but that she and the guy broke up at their graduation party a few days after her eighteenth birthday.

The biggest problem is that all of the interesting stuff is rushed and crammed into the ends of the novel.  IF I COULD TURN BACK TIME starts to complicate things and introduce the idea that Ramie is driven and motivated and wouldn't be happy as just a housewife having children.  Her career doesn't get completely jettisoned, which I definitely appreciated, but the actual romance ended up being just a sketch of an idea after her romantic life was built up so much.

IF I COULD TURN BACK TIME has some interesting ideas, but I just couldn't get invested.  Does any almost forty-year-old woman really think that her high school boyfriend might've been the one?  I don't think Ramie was fulfilled at the beginning of the novel, but I was never convinced that focusing on her high school romance was a good focus for reflecting on her regrets.

May 25, 2015

Review: Love and Miss Communication

Love and Miss Communication By Elyssa Friedland
Available now from William Morrow (HarperCollins)
Review copy

LOVE AND MISS COMMUNICATION looked super cute.  It's the story of Evie Rosen, who gets fired for sending too many personal emails and discovers that her commitment-phobe ex got married six months after their breakup on Facebook, and decides to stay off the Internet for a year.  I spent the first half of the book wanting to shake Evie out of her self-absorbed funk.

I wasn't surprised by the zeal she brings to her decision to leave the Internet behind; there's nothing like the converted to disdain they were before.  I did think her characterization needed work.  Debut author Elyssa Friedland describes her as always having her Blackberry in her hand and constantly Facebook stalking people.  Yet, for instance, she's surprised when one of her stepsisters has already made friends at the college she's going to in the fall through Facebook.  It's not like she'd never used the Internet.

Then there's the way she is with her family and friends.  She's weirdly contemptuous of her stepsisters and has inappropriate boundaries with a student at her new job.  For talk of using actual phone calls to get closer to people, she never reaches out to her friends but waits for them to reach out to her.  However, LOVE AND MISS COMMUNICATION did start clicking into place for me once Evie's mother snaps at her that everyone tries to matchmake for her because she's so desperately and obviously unhappy being single.  The characters finally get tired of Evie and start talking to her and helping her realize that she needs to change her attitude.

Thus, the second half did work better for me.  Evie does have a journey to go on and a coherent character arc.  There is room in the world for grating characters.  And throughout the book I thought the romance worked well.  Now, it shows how much Evie idolizes marriage and how bad she is at communication that she never thinks to just ask the guy if she's divorced, but I did like that she holds back from actually making a move until she knows he isn't attached.  I also just thought their flirting was cute.  I also liked the parts about Evie's ex, Jack.  She's still reeling from the bad breakup, and Friedman captures the way you never really forget the people you loved.

I loved the premise of LOVE AND MISS COMMUNICATION.  I feel like it could've been explored more to its full potential with a character who was interested in actually connecting with people instead of being content to just complain about another missed evite.  The romance was cute and I liked Evie's grandmother and mother.  I also enjoyed every time someone pointed out to Evie how self-absorbed she was.  It made for an uneven reading experience, but not a wasted one.

May 18, 2015

Spotlight on The Predictions

The Predictions By Bianca Zander
Available now from William Morrow (HarperCollins)
Review copy

There was a bit of a shipping mix-up, so I'm still reading THE PREDICTIONS.  But I like what I've read so far.  It starts with a literal bang when Shakti wrecks her car arriving at Gaialand's, the commune where Poppy was raised.

Shakti isn't the only other change in their lives.  Poppy and the other six kids on the commune were raised equally by all the adults, not knowing who their birth parents were.  But when hormones started flying, the adults realized they had to step in and tell.  Shakti reveals more of the cracks between the commune's ideals and reality, but that was the first for the kids.  And as Poppy puts it, "I didn't say any of this to Shakti, but in my opinion if the adults didn't like the way we had turned out, it wasn't our fault. It was theirs (page 58)."

THE PREDICTIONS is a very swift read.  I was interested in it because I thought it would stretch my horizons.  I haven't read much literature from New Zealand, so that peaked my interest.  I also like the idea of a book that spanned both a commune and the fading 80s punk rock scene in London.  The very original settings help this bildungsroman stand apart, and Zander's writing keeps it all from seeming too crazy.  I'm looking forward to finishing the second half of the book!

About The Predictions

Gaialands, a bucolic vegan commune in the New Zealand wilderness, is the only home fifteen-year-old Poppy has ever known. It's the epitome of 1970s counterculture—a place of free love, hard work, and high ideals . . . at least in theory. But Gaialands's strict principles are shaken when new arrival Shakti claims the commune's energy needs to be healed and harnesses her divination powers in a ceremony called the Predictions. Poppy is predicted to find her true love overseas, so when her boyfriend, Lukas, leaves Gaialands to fulfill his dream of starting a punk rock band in London, she follows him. In London, Poppy falls into a life that looks very like the one her prediction promised, but is it the one she truly wants?

The Predictions is a mesmerizing, magical novel of fate, love, mistakes, and finding your place in the world.

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About Bianca Zander


Bianca ZanderBianca Zander is British-born but has lived in New Zealand for the past two decades. Her first novel, The Girl Below, was a finalist for the VCU Cabell First Novelist Award, and she is the recipient of the Creative New Zealand Louis Johnson New Writers' Bursary and the Grimshaw Sargeson Fellowship, recognizing her as one of New Zealand's eminent writers. She is a lecturer in creative writing at the Auckland University of Technology.

Check out Bianca's website, and connect with her on Facebook and Twitter.

March 31, 2015

Review: Girl Underwater

Girl Underwater By Claire Kells
Available now from Dutton (Penguin Random House)
Review copy

GIRL UNDERWATER has some unfortunate timing.  Books come out on a long-set schedule, and no one can control current events.  But GIRL UNDERWATER starts with a plane crash, which probably isn't what most people want to read right now. 

(I will admit that this fictional crash mostly bothered me because the dangling oxygen masks are repeatedly mentioned, but no one puts one on.  The oxygen masks drop when cabin pressure drops, and you should put yours on immediately and then assist nearby children and other people who can't get their own on.  The bag may not inflate, but oxygen is still flowing.  Hasn't Claire Kells listened to the safety demonstration?)

Avery Delacorte is a college freshman, a swimmer, and one of five survivors of a plane crash into a lake.  Her teammate Colin survived, as did three little boys.  GIRL UNDERWATER alternates between the past, with the five working to survive their wounds and their lack of food sources in the increasingly hostile winter, and the present, where Avery struggles to readjust to normal life.  She's clearly traumatized by her experience, and she's internalizing everything.  She won't even talk to Colin or the boys, the only people who know what she's been through.

I found Avery fascinating.  I didn't always understand her decisions, but I did understand why she was making them.  She's horrified by what she did and didn't do to survive and she's terrified of the media scrutiny.  She wants to be forgotten, not remembered as a hero.  She feels a lot of shame.  The past narrative contradicts a lot of her feelings of inadequacy, showing that her cool head, first aid skills, and other talents were vital in their survival.  She's blaming herself for no good reason, but at the same time it is a believable reaction to the awful things she went through.

GIRL UNDERWATER weaves together a survival story, a recovery story, and a romance in a compelling mix.  This is Kells' first novel, but it feels quite polished.  I couldn't wait to find out how Colin and Avery saved themselves and the kids, nor how Avery would manage to get her feet under her again.  She found reserves of strength in the wilderness, but that doesn't mean she automatically knows what to do with them.

GIRL UNDERWATER will appeal to fans of HATCHET and other classic survival stories.  I liked that GIRL UNDERWATER also encompassed what happened to the survivors after they went home.  It's a sharply realized little book.

February 19, 2015

Review: Amnesia

Amnesia By Peter Carey
Available now from Knopf (Penguin Random House)
Review copy

Two-time Man Booker Award winner Peter Carey has written some amazingly beautiful books.  AMNESIA is not one of them.  It starts promisingly, with a young woman (Gaby Baillieux) using a computer virus to release Australian prisoners - and accidentally unleashing the virus on American prisons too.  I couldn't wait to read Carey's literary take on a sci-fi thriller premise.

Unfortunately, the actual main character is Felix Moore, a disgraced journalist who kisses basically every woman in the story despite being old, in debt, nationally regarded as a liar, and otherwise devoid of any personal magnetism.  The blurb describes him as 'known to himself as “our sole remaining left-wing journalist,”' which says basically everything you need to know about his self-aggrandizing asshole tendencies.  This is pretty typical of his thought process:

"I wasn't really a creep.  I was a good person. I had been secretly in love with her.  I had lost her to another man.  Now was not the time for that discussion." - page 62, ARC

The plot is a meandering thing, weaving back and forth in the past for multiple generations, tying obscure Australian history to Felix's romantic woes to Gaby acting like a twenty year old when she was supposedly born in 1975.  Not to mention Gaby herself doesn't really come into play until a third to halfway through the book, and then mostly through rambling tapes that get filtered to Felix.  Felix, whose only interesting quality is being an unreliable narrator.

I thought AMNESIA was a total, nigh impenetrable slog.  I kept having to look at the cover to confirm that yes, this wasn't some random other Peter Carey.  I don't even think this is essential for fans.

October 29, 2014

Review: The Heart Does Not Grow Back (and Giveaway!)

The Heart Does Not Grow Back By Fred Venturini
Available November 4 from Picador (Macmillan)
Review copy

(A version was previously published as THE SAMARITAN by Blank Slate Press.)

Dale Sampson, through a fortuitous game of Blind Man's Bluff becomes Mack Tucker's best friend.  Before that, Dale was a lonely, ignored boy.  But together, he and Mack have big dreams.  That is, until a horrific tragedy at the end of their junior year.  A tragedy that leads to Dale discovering that he can regenerate.

THE HEART DOES NOT GROW BACK begins much like a YA novel, full of young love and sports triumph.  It becomes something much more bleak, although it always retains a dark humor and eventually finds hope.  Dale is a broken, pitiable man, and I often just wanted for him to get a good therapist.  At the same time, even at his lowest point, he retained the ability to think and plan that made him once so promising.

Over the course of its pages, THE HEART DOES NOT GROW BACK takes on ethics, reality television, and domestic abuse.  But its heart is always the characters, who are all dealing with trauma in their own ways. 

I often disliked Dale.  In fact, none of the characters are written to be particularly likeable.  They're deeply flawed people.  As Dale is the protagonist, we get to know him in particular.  He's obsessive about women, has a bit of a savior complex, and is pretty confrontational.  It works because author Fred Venturini understands that these things are flaws and that Dale needs to work on them.

THE HEART DOES NOT GROW BACK is an intense reading experience.  As Dale cuts away more and more of himself, I feared the promise of the title coming true.  From coming-of-age tale, to reality TV satire and slice-of-life superhero, to nailbiter, this is a memorable book.

I have one copy to giveaway to someone with a US or Canada mailing address.

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August 28, 2014

Review: Monkey Beach

Monkey Beach By Eden Robinson
Available now from Open Road Media
Review copy

In the comments of my review of GREAT SHORT STORIES BY CONTEMPORARY NATIVE AMERICAN WRITERS, Aarti (of BookLust) asked me if I had read MONKEY BEACH by Eden Robinson.  I actually hadn't even heard of it (it comes from Canada), but just a few days later the American edition popped up on NetGalley.  Clearly, I needed to read this book.

MONKEY BEACH is one of those books were I am honestly unsure about how I feel about it.  I suspect Robinson prefers it that way.  MONKEY BEACH slips and slides between the past and the presents, tying the disparate parts of heroine Lisamarie's life together in unexpected ways.  The nominal driving force of the novel is the disappearance of Lisamarie's older brother, Jimmy.  He was on a fishing boat that disappeared; however, he is a great swimmer and there are tons of islands, so there's a small chance he died.  At first it seems odd that Lisamarie would disgress so much, pondering her uncle Mick (for example) instead of focusing on Jimmy.  But it all works together, in a rough sort of way.

This is a hard novel to describe, because nothing much happens in MONKEY BEACH, yet it is a very tumultuous novel.  Life is enough to provide humor and tragedy without big events.  MONKEY BEACH is also a very dark novel.  Education in boarding schools looms over the heads of the previous generation.  Other injustices against the Haisla and other First Nations people continue.  The heroine is date raped, in a thankfully non-explicit scene.  Secrets bubble out of every corner.  Death, drugs, alcohol, sex - they're never far.  At the same time, Lisamarie has an incredible, loving family, a real shot at the future, and a few good friends.

I really loved Lisamarie.  She's angry, prickly, and too foolhardy for her own good.  She also sees things - a little man who fortells deaths, for instance.  Lisamarie never has much hope of Jimmy's survival.  It's a power she seeks to learn more about, but she's still not the type to bear it with grace.

I may not entirely know how I feel about the novel, but MONKEY BEACH was an absorbing reading experience.  I felt a little like I was in Kitamaat, especially when Lisamarie described fish grease in detail.

Eden Robinson is a member of the Haisla and Heiltsuk First Nations, which makes her a wonderful writer for you to give a chance during A More Diverse Universe, hosted by Aarti.  This will be my third year participating, and I highly recommend it.  I always find new authors that fit my interests among the many reviews it generates.

August 13, 2014

Review: The Unfinished Life of Addison Stone

The Unfinished Life of Addison Stone By Adele Griffin
Available now from Soho Teen
Review copy

THE UNFINISHED LIFE OF ADDISON STONE positions author Adele Griffin as a woman who taught Addison Stone for a single class, and is inspired by that encounter and the artist's mysterious death to search out people who knew them and recount their stories.

The book is laid out in vaguely chronological order, from when Addison starts making art at six or seven to when she dies at eighteen, falling off the Manhattan Bridge and drowning in the East River.  (Or jumping off, or being pushed off.)  From the start the reader knows there were two men in her life: Zach Frat and London Reed.  However, they take awhile to enter the picture.

I loved the piecemeal nature of the book.  The accounts all conflict with each other: Addison's parents, Addison's art teachers, Addison's childhood best friend, Addison's early rival, Addison's platonic soulmate, Addison's stoner friend, Addison's boyfriend, and more.  Sometimes they agree, but often each character has pretty different opinions about what Addison's actual thoughts were.  And the bits in Addison's voice don't help much.  They're interviews or emails, tailored for a specific audience.  All one can do is piece together a truth, which is all that's left behind by any life.  The book includes photographs of Addison and her friends, but they aren't much more concrete.  Everyone agrees that Addison has black hair, but the photos show her having dark brown hair.  Is it just that the publisher cast a model as close as possible, or that her gothy looks are exaggerated after her death?

Now, THE UNFINISHED LIFE OF ADDISON STONE does position Addison as a great artist.  She can do oils, she can sculpt, she can script performance art.  Addison's art, included in the novel, reminds me somewhat of George Condo.  It doesn't entirely convince me that she was a great artist, but it does convince me that her star would rise after her death.  She is that bright talented that never quite reaches its height because it is cut down.

Mental illness, supernatural haunting, vengeful boyfriend, broken heart - no one quite knows how Addison dies.  But everyone can speculate, shoulder blame (or cast it).  I found that the various voices sometimes blended into each other - they sound similar despite their differing opinions.  But the story was quite compelling, and the novel format served it well. THE UNFINISHED LIFE OF ADDISON STONE is a terrific choice for fans of mysteries and experimental fiction.

August 11, 2014

Review: Great Short Stories by Contemporary Native American Writers

Great Short Stories by Contemporary Native American Authors By Pauline Johnson, Zitkala-Sa, John M. Oskison, D'Arcy McNickle, Leslie Marmon Silko, Joseph Bruchac III, Jack D. Forbes, Rayna Green, Mary TallMountain, Duane Niatum, Thomas King, Eli Funaro, Beth H. Piatote, Sherman Alexie
Edited by Bob Blaisdell
Available now from Dover Thrift Editions
Review copy

GREAT SHORT STORIES BY CONTEMPORARY NATIVE AMERICAN WRITERS is an extremely affordable and accessible anthology from Dover Publications that delivers exactly what the title promises. The fourteen stories included range from 1893 (Pauline Johnson) to 2009 (Sherman Alexie).  I was familiar with two of the authors, Alexie and Joseph Bruchac III, but the others were all new to me.  I really appreciated the biographical notes by editor Bob Blaisdell that preceded each story.  These notes tell of the authors' tribal backgrounds and provide some context for the stories.

The stories tend toward the shorter side - "War Dances" by Sherman Alexie is the longest story included.  It is a standout story, however.  I've read quite a bit of Alexie, but I think I enjoyed one of his stories even more when it was surrounded by different authors.  It felt like I was coming into his (morbid, funny) voice fresh.

As for the other authors, I loved that both men and women were included.  I find that survey anthologies such as GREAT SHORT STORIES BY CONTEMPORARY NATIVE AMERICAN WRITERS tend to lose women's voices along the way, so I was happy to see them included.  In fact, a woman kicks the anthology, which is organized chronologically, off.  "A Red Girl's Reasoning" is a terrific tale of pride and rage and a relationship destroyed by a difference in culture.

Editor Bob Blaisdell stretches the word "contemporary" to the breaking point, but I enjoyed seeing the progression through time.  D'Arcy McNickle uses a white narrator for "Train Time," imagining the regrets of someone who thinks he's doing the right thing, but can't find the words to explain himself.  Many of the stories, such as Jack D. Forbes's very brief "Only Approved Indians Can Play Made in USA," are utterly hilarious in a funny not funny way.

If you're looking for stories of the life of some modern Native Americans, this is a terrific anthology.  I'm certainly planning to pick up some more work by many of these authors in the future, and none of the stories were duds.  Nor did anything in GREAT SHORT STORIES BY CONTEMPORARY NATIVE AMERICAN WRITERS feel like a lecture.  This is pure good writing, just with some extra cultural interest.

July 10, 2014

Review: Astonish Me

Astonish Me By Maggie Shipstead
Available now from Knopf (Penguin Random House)
Review copy

I have trouble resisting novels about ballet.  As far as literary ballet novels go, I prefer THE CRANES DANCE by Meg Howrey.  However, ASTONISH ME does have quite a bit to offer.

In a series of vignette-like chapters, ASTONISH ME covers a few decades in the life of Joan, her husband, her son, their neighbors, and Arslan Rusakov, a dance who Joan helped defect from Russia.  Their lives come together and fall apart, the tangle more complicated than it first appears.

As short as ASTONISH ME is, there are still some subplots I wish had been cut.  For instance, the neighboring wife and mother has a chapter of narration that's everything people mock about literary fiction: brutal observations about every character, some musings on the banality of suburban life, cheating.  It does have consequences on her daughter Chloe, one of the book's many ballerinas, but none that couldn't have been accomplished in a more interesting way.

I also found ASTONISH ME disappointing as a dance novel.  Many of the characters are passionate about dance, and that felt true.  But there's no sense of the pain in their bodies.  Their dances are sketched out, but never came to life for me.  The climatic ballet left me cold.  It felt like a piece of stuntcasting, everything the characters tried to promise it wasn't.

At the same time, Maggie Shipstead's writing is wonderful.  It has a beautiful flow to it.  For instance, I love how she describes the instant one character realizes how arrogant he used to be, upon being faced with an ex-girlfriend, or how she describes the anger in Chloe.  I liked seeing the pieces of the past and the present come together, as the story is told nonlinear-ly.  But I felt like the ending was rushed, with a central relationship coming out of nowhere and everything coming to a head when previously the book just moseyed along.  ASTONISH ME could've had a bit more balance by cutting out some of the beginning and giving more time to the end.

I'd be willing to read another book by Shipstead, since she clearly has talent, but ASTONISH ME felt a bit paint by numbers.

July 9, 2014

Review: Agostino

Agostino By Alberto Moravia
Translated by Michael F. Moore
Available now from NYRB Classics (New York Review of Books)
Review copy

Whenever a new NYRB Classic comes out, I pay attention.  I basically regard the imprint (and the Children's imprint) as lists of books I should be reading.  I rarely come across an NYRB classic that doesn't have something to offer me.

What drew me to AGOSTINO?  Perhaps it was the promise of a Tuscan seaside (even in Fascist-era Italian).  The eponymous Agostino travels there with his mother.  When they arrive, he loves her in an uncomplicated fashion.  But when she takes a lover (although Agostino is too young to realize that he is a lover at first), Agostino starts to feel like a third wheel, and starts to see his mother in a more complicated light, as her own person, as a woman.

Then he meets a group of boys, slightly older than him, who bully the naive young Agostino for not knowing about sex, for not knowing what his mother is doing, for not knowing to beware of predators.  There is also the resentment, for the boys are working class and Agostino is quite rich.  They lack the privilege of being sheltered.

AGOSTINO is short, and written in a fashion that approaches, but doesn't quite reach stream of consciousness.  The book's rhythm is quick, but the unusual style causes the eye and mind to linger a bit longer over the prose.  There are some odd quirks to the storytelling, such as Agostino's mother usually being referred to as "the mother" rather than his mother. The translator's note from Michael F. Moore mentions that this is deliberate, due to the Italian using an ambiguous construction.

Despite the fact that the narrator isn't even a teenager, AGOSTINO is not a children's story.  It is meant to be read by an adult, by a reader who has the perspective and knowledge Agostino is just starting to realize exists.  It is an interesting reading experience.

I found myself being left cold by AGOSTINO.  I can admire the construction of the novel, and that Agostino's growing Oedipal obsession with his mother is supposed to be troubling.  Agostino longs to be a man, but how can he when the most information he gets about being a man is scrambled and delivered by cruel boys?  It is an intriguing portrayal of sexual awakening, but one that stuck me as more as surreal than psychologically incisive.  At the same time, I kind of feel like I want to read it again.

May 19, 2014

Review: The Quick (and giveaway!)

The Quick By Lauren Owen
Available June 17 from Random House
Review copy

The cover of THE QUICK is ridiculously boring: sepia-toned man leaning on the edge, most of the cover taken up by a table.  But I was quite intrigued by the blurb, which promised both magic and terror.  I'm glad I paid little attention to the cover, because I thoroughly enjoyed THE QUICK.

The action begins when siblings James and Charlotte Norbury are children, just long enough to establish their relationship.  James is sensitive; Charlotte is practically his mother.  The time then jumps to James deciding to leave Oxford and go to London to be a writer.  That's where he meets and lets rooms with Christopher Paige, the black sheep of an aristocratic family.  The opening quarter of the book is all about getting to know James and Christopher, as well as the social strictures that govern their lives in Victorian England.  Then something very bad happens to them.

Unfortunately, the book doesn't quite kick into gear at that point.  THE QUICK delves into several of the characters' points of view, and unfortunately the next one is a lengthy section of exposition that I don't think added that much to the story.   THE QUICK does blend genre and literary fiction, so I can see these passages being of use to literary fans, perhaps.  I've seen it called a Gothic horror story, but I think that's inaccurate.  Once the fantastical enters the story, the book instantly tells the reader what happened.  But it is nice to go in with the exact details of the genre shift from historical fiction to historical fantasy being a surprise.

I liked the plurality of characters.  They represent many different factions, and even the ones on the same side come at things in a different manner.  I thoroughly enjoyed that almost all of them were driven by love.  It's a strong motivation, and one that can lead to a desire for revenge just as much as compassion.  It also enforces the need for that mundane first quarter, to show why James and Charlotte would never just go into hiding.

I think THE QUICK will appeal to someone looking for story where early Anne Rice meets Oscar Wilde.  Not the best comparison, but the best I can come up with.  It has wonderfully drawn characters, bursts of action, and a human villain who might be more terrifying than the inhuman ones.


Giveaway courtesy of TLC Book Tours. Limited to US only; must be 13 years of age or older.
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May 9, 2014

Review: Casebook

Casebook By Mona Simpson
Available now from Knopf (Penguin Random House)
Review copy

Miles Adler-Rich is a privileged child of divorce and a burgeoning snoop.  He likes to listen to his mother's conversations on the phone.  When she starts dating a man named Eli, Miles likes him at first.  But as the years pass by, little things don't add up and Miles gets serious about uncovering the truth.

The parts of CASEBOOK I liked, I really liked, but it was an uneven read.  The beginning and ending both go on for too long.  I would admire the dedication to unraveling the consequences to Miles' actions if they weren't mostly mundane and boring.  (Hint: It makes his mother sad.)  I never found Miles' voice quite convincing either.  He's privileged, yes, but he felt so naive to me for a fourteen-year-old boy.  And it was just a touch off how he was so much more into his mom's life than his own.

There are many things I liked.  I did enjoy Miles relationship with his mom, loving her and wanting the best for her.  I liked his relationship with his best friend Hector, which ebbs and flows throughout the novel, sometimes strong enough to be mistaken for dating.  It's a nice examination of the lengths friends will go to for each other and the underlying tensions that can exist in the best relationships.  I like Miles' younger twin sisters, who are slowly revealed to have their own personalities and interests as their brother opens up to them.  I liked the detective who helps the boys and chides their stupider impulses.

CASEBOOK, like many novels I've read lately, isn't well-served by it's blurb.  The blurb promises the boys confronting the existence of evil, which makes CASEBOOK sound much darker than it is.  It mostly deals with standard literary-fiction ennui, just through the eyes of a fourteen-year-old boy.  There is one revelation of stunning evil that stands out in the fact that it is buried and never mentioned again and I wish it was left out because it was jarringly nasty and really didn't add anything to the story.

I think CASEBOOK will appeal to fans of stories about dysfunctional families.   The characters are all wonderfully drawn, and there's some brilliant insights into the different ways people love each other and how they treat people they love.  Don't, however, go in expecting a juicy mystery.


March 31, 2014

Review: Attachments

Attachments By Rainbow Rowell
Available now from Plume (Penguin Random House)
Review copy
Read my review of Fangirl

I enjoyed both of Rainbow Rowell's new novels, ELEANOR & PARK and FANGIRL.  Thus, I was excited to go back and read her first novel, ATTACHMENTS.

It's 1999, and everyone's worried about Y2K.  Lincoln is in IT at a newspaper, reading the email messages that get caught in the filter.  That's when he becomes aware of Beth and Jennifer, whose long email exchanges are often flagged.  He keeps reading their email, even though he knows it is an invasion of privacy.  At the same time, he begins coming out of his shell, finding new friends and independence.  He's been stuck in a rut, living with his mom and working at a job he hates and not getting out except to play D&D.

Setting ATTACHMENTS in '99 gives Rainbow Rowell one big advantage: every bit of pop culture the characters reference is still well-known and respected.  There's no obscure references, no ephemeral and forgotten fads.  It also means that the technology involved is still pretty new to people.  Email is easy of course, but print journalism is still going strong.  Employees slacking off on the Internet is new.  Weirdly, no one ever seems frustrated by dial-up. 

The romance didn't entirely work for me.  I kept waiting for Beth and Lincoln to meet.  I liked reading about their individual journeys, but I was in it for the attachment.  The real love story only takes up the last 10% of the book.  At that point it's kind of awkward because of the privacy invasion.  Rowell does her best to mitigate it, but I still found it creepy, even though I really liked Lincoln.

What did work very well were all the depictions of different friendships.  Friendships between women, men, both.  Work friendships, college friendships, friendships that lasted since high school.  The friendship between Beth and Jennifer is particularly great, of course, but I also really liked Lincoln's new friendship with an older coworker.

Rowell's publishers are pushing ATTACHMENTS more now that ELEANOR & PARK and FANGIRL are hits.  It's a good move, because ATTACHMENTS has the same strong character work.  It also shares a theme of anxiety with FANGIRL.  It's a strong debut, and it's easy to see how Rowell has grown.  It also builds anticipation for her upcoming adult novel, LANDLINES. 

February 18, 2014

Review: Ripper

Ripper By Isabel Allende
Translated by Ollie Brock and Frank Wynne
Available now from Harper (HarperCollins)
Review copy

Isabel Allende has a tremendous reputation, and I was excited to see that her latest novel was genre: a thriller.  However, her literary roots are obvious.  The crimes and their investigation tend to take a background to character vignettes and digressions.

At first, I thought that RIPPER would focus on teenage Amanda and her leadership of a group of kids (and her grandfather) determined to research true crimes.  But the book quickly turns its focus to her mother, Indiana, and Indiana's various loves, customers/patients, and friends.  Although Indiana seems entirely peripheral to the crimes, it doesn't take a great detective to realize she'll be central at the end.  (It's that fact that gave away who the killer was for me, although there was a brief moment where I doubted my own guess.)

Thus, RIPPER took awhile to capture my attention.  There was much flipping between a large cast, and I didn't find Indiana all that compelling.  She's a touch too beloved by every other character.  However, I read it while waiting for car repairs, which forced me to push through and eventually fall into the rhythm of the novel.

I particularly liked the setting.  RIPPER is set in San Francisco and makes good use of the city's various neighborhoods, social classes, gay friendliness, and reputation for hippie-ness.  Also, the various characters seemed to connect in natural ways, although it took awhile to put together who knew who and how.  To be fair, that seemed to be Allende's design.

I think that RIPPER has a bit too much literary fiction in its blood to be a truly compelling thriller.  The same details about the crimes are endlessly rehashed, and since the police characters aren't the focus, there's rarely an actual scene with someone discovering a new clue, just reporting it.  I must admit, I'd also rather read a novel about ambitious, morbid Amanda than healing, maternal-except-with-her-daughter Indiana.  It was fun to read a thriller that didn't pay much attention to the conventions of its genre.   I enjoyed RIPPER by the end, but think I'd've given up if I had more with me to read.


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