Showing posts with label a more diverse universe. Show all posts
Showing posts with label a more diverse universe. Show all posts

October 8, 2015

Review: Evolution

Evolution Third book in the Extraction trilogy
By Stephanie Diaz
Available now from St. Martin's Griffin (Macmillan)
Review copy
Read my reviews of Extraction and Rebellion

Clementine has been to the center of her planet and back.  She expected to find a better life, but instead found corruption and a horrific plan to sacrifice everyone on the Surface to save those in the Core.  She joined a rebellion, but recently discovered a truth that changed everything, and an external threat that just might be more of a danger to her people.

I must admit, I was worried that the aliens would let Commander Charlie and the other officials off the hook.  Invading aliens with advanced technology would be a reason for some to resort to extreme measures.  I think there's never a reason for the kind of medical experimentation that they were doing, but at least it is more of a reason than they were doing it because they're the bad guys and thus do bad things.

I've been looking forward to the arrival of the aliens since the end of EXTRACTION, when their existence was revealed.  REBELLION dealt with the eponymous rebellion instead of picking up that thread. While I was quite satisfied by the alien's appearance in EVOLUTION, I wish Stephanie Diaz had seeded some more information about them earlier in the trilogy.  I was really interested in their past interactions with humans and sad that that was only a fact in this book.

I continued to enjoy Clementine and Logan's relationship, as well as the refreshing lack of a love triangle.  There are not many YA dystopians without one.  Both of them are ridiculous about offering to sacrifice themself for the other, but I believed in their connection and their worries. 

I can't say I'll ever be a dystopian fan, but I truly enjoyed the Extraction trilogy.  I think it is because it leaned more towards the science fiction end of things, and really expanded beyond the government versus one special girl.  I look forward to seeing Diaz's next novel, now that her debut trilogy is done.


Stephanie Diaz is half-Latina and has written about what diversity means to her at Latin@s in Kid Lit.

October 4, 2015

A More Diverse Universe 2015

Today is the first day of the third annual #Diversiverse, hosted by Aarti of BookLust.


So what is #Diversiverse?  It is a two-week celebration of speculative fiction by authors who are not white.  Bloggers read these books, write reviews, and then link to them at the round-up post.

The goal is to help people understand the truth of this statement:
Reading diversely may require you to change your book finding habits.  It ABSOLUTELY does not require you to change your book reading habits.

Reading more diversely does not require you to change what kind of books you like.  You can keep on keeping on, because authors of all sorts write books of all sorts.  Hopefully, #Diversiverse will help you find some of those books more easily.

November 15, 2013

Review: Chasing Shadows (A More Diverse Universe)

Chasing Shadows By Swati Avasthi
Graphics by Craig Phillips
Available now from Knopf BFYR (Penguin Random House)
Review copy
Read my review from last year's Diversiverse

Today is the first day of the second annual A More Diverse Universe.  It lasts from November 15-17, and all you have to do to participate is write about a speculative fiction book by an author of color.

I've had CHASING SHADOWS in my to-read-and-review pile for about a month.  Charlotte reminded me about it in her reminder about this event.  Now, CHASING SHADOWS isn't straight-up speculative fiction.  It's a contemporary novel that incorporates elements of superhero comics and Hinduism in a very visceral way, which gives some passages the feeling of speculative fiction.

CHASING SHADOWS begins with Holly, Savitri, and Corey running across rooftops.  It's a tight-knit group: Holly and Sav are best friends, Sav and Corey are dating, and Holly and Corey are twins.  But it's when they get in their cars to go home that tragedy strikes - Corey is shot and killed and Holly ends up in a coma.  CHASING SHADOWS alternates between Sav and Holly's points of view, and Holly's point of view alternates between prose and graphic novel panels.  It's a wonderful effect that demonstrates her breaks from reality quite well.

I wasn't expecting to ugly cry throughout this book, but I did.  Both girls are extremely traumatized and CHASING SHADOWS is about Holly and Sav reclaiming their lives, their futures, and eventually their friendship.  Because yes, their relationship is under quite a bit of strain.  I particularly liked the way Swati Avasthi wove the cops' search for Corey's murderer into the girls' story.  Because Holly was shot and Sav got a better look at the guy, they are defined as only a victim and only a witness respectively.  But both girls are victims and witnesses, and those labels are important to their internal story, even if it doesn't help the case.

(Side note: I loved that Sav can't give a great physical description - white, not tall - but notices exactly how the guy walks because that's what is important to her as an athlete.)

Two graphic novels shape the girls' stories.  One is a series about the Leopardess, a heroine Holly admires.  The other is a telling of the legend that gave Sav her name.  The girls are both inspired by these comics and shamed by them, feeling guilty because they weren't fast or clever or something enough to save Corey.  Holly's reality is distorted by them, the imagery and iconography bleeding into her waking world.  It's a very interesting look at the way that fiction can shape lives.  And, in the case of Sav, it's very clear how important her collection of comics starring Indians is to her and the ways it shaped her childhood.

CHASING SHADOWS is a real gut-punch of a novel.  It's dark, and heartbreaking, and the triumphs are tempered by tragedy.  It's also, I think, the book I wanted when I read WHAT WE SAW AT NIGHT.  The freerunning and the mystery are incorporated better into the characters' story, as is the Chicago setting.  I don't think I've ever read a book quite like CHASING SHADOWS, and it's more than just the inventive format that makes me say that.  This is a book well worth reading.

September 23, 2012

A More Diverse Universe Review: The People of Paper

The People of Paper By Salvador Plascencia
Art by Sarah Tillman
Out of print from McSweeney's (HC)
Available now from Mariner Books (Houghton Mifflin) (PB)

Aarti of BookLust came up with the idea of the A More Diverse Universe Tour.  From September 23-29, bloggers will be reviewing speculative fiction titles by authors of color.  You can go here to read more about why this tour is happening.  The full schedule is available here.

THE PEOPLE OF PAPER is not an easy book to describe.  You can throw around terms like 'postmodern' and 'magical realism' to try to get a grip on it.  While both of those are accurate, they're too small for THE PEOPLE OF PAPER.  It's a highly experimental novel, ambitious, a mesh of fiction and fact, a meditation on art, the debut of Salvador Plascencia, and it should be a total mess.  There is a character whose name is cut out of the book.  But it's a mesmerizing work that exceeds its ambition and stands apart as something unique and exciting.

I could tell you that there is a woman made of paper in the story.  There is a prophetic baby who speaks in black rectangles.  There is a grown man, Frederico de la Fe, who still wets his bed.  There is the daughter of the man, Little Merced.  There is Saturn, who the man wars against.  There is Saturn, who is the author.  There's enough crazy typography to make TRISTRAM SHANDY and HOUSE OF LEAVES look like your normal left-to-right reading experience.  There is a love story.  There is a gang war.  There are flower pickers.  Most of the book takes place in California, El Monte, to be specific.  But none of the little details can truly prepare you for reading THE PEOPLE OF PAPER.

Yet, it's the small details that linger with you after finishing.  (And okay, the binary chapter, which - if you're like me - you plugged into your computer to find out what it said.  No, I'm not going to give it away.  I was disappointed at first and then liked it.)  THE PEOPLE OF PAPER is a wild ride, but there's a grounding in character that many less-successful experimental novels forget.  Each of the many narrators has a distinct voice.

And, honestly, I can't imagine many readers THE PEOPLE OF PAPER wouldn't appeal to.  It's a book about making art, about writing, about being a character, about reading, about how books work.  It's bibliophile meta that still functions as a story.

Since the A More Diverse Universe Tour is partially about the author, here is some of Plascencia's description of himself, from an interview with the Nashville Review:
"Professionally—albeit a meagerly profitable enterprise—I’m a writer. But I’m not a professional Mexican; that’s Ruben Navarrette’s gig. I’m a Latino. I’m a writer. I identify as both, but not when “Latino” is serving as a modifier. ...

This might seem like I’m contradicting what I said earlier—I’m not—but what was a major [publisher] going to do with an experimental Mexican-American writer? The reality is that—aside from the Cisneros and Dagoberto Gilb, writers who reinforce parochial views of Latinidad—there are very few of us on the majors. Name them. Off the top of my head, I can only think of Alex Espinoza, Joe Loya, and my fellow El Montian Michael Jaime-Becerra. But Joe and Michael were under Rayo, some HarperCollins specialty imprint aimed exclusively at Latinos. The Houghton Mifflin’s and HarperCollins don’t see us as marketable to the general public. There is Luis Rodriguez—a writer that heavily informed me—but even he is pushed as some sort of exotic criminal. ...

But there are obvious advantages, too. Sometimes, for no good reason aside from the fact that I were born south of the Rio Grande, my name gets tangled up with the greats: Bolaño, Borges, García Márquez. I’m never going to complain when that happens."
A small, personal list of suggestions (mostly YA) for further reading:
  • AKATA WITCH by Nnedi Okorafor - YA novel in my own TBR
  • ALIF THE UNSEEN by G. Willow Wilson - An exciting genre-bender I've reviewed
  • ANGEL SANCTUARY by Kaori Yuki - My all-time favorite manga (only 20 volumes!)
  • ASH or ADAPTATION by Malinda Lo - Fantasy lovers to the first; sci-fi to the second
  • BATTLE ROYALE by Koushun Takumi - Make up your mind about the comparisons to THE HUNGER GAMES; also it's just an interesting read
  • CITY OF THE BEASTS by Isabel Allende - This series used to be pretty popular
  • THE GIRL WITH BORROWED WINGS by Rinsai Rossetti - A lyrical, lovely debut that I adore
  • THE HUNT by Andrew Fukuda - I have this vampire novel on my to-buy list
  • LEGEND series by Marie Lu - Loved the first book and awaiting the second
  • LOST AND FOUND by Shaun Tan - Anything by him is great but I've reviewed this one
  • ONCE UPON A TIME IN AOTEAROA by Tina Makereti - May be harder to find since it's by a Maori writer and published by a small New Zealand press; I only know about it because I received it as a gift
  • THE SATANIC VERSES by Salman Rushdie - Banned Book Week is coming up; make your own decision about the controversy
  • SORRY PLEASE THANK YOU: Stories by Charles Yu - Yu is an emerging talent
  • TANTALIZE series by Cynthia Leitich Smith - Also has a diverse selection of narrators
  • A THOUSAND AND ONE NIGHTS trans. Husain Haddawy - His translation is so much more better than the popular (public domain) one by Sir Richard Burton I'm not even kidding
  • THE VICIOUS DEEP by Zoraida Córdova - This is my favorite of the mermaid trend

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