
Cam Baity is an Emmy Award-winning animator, and his short films have screened around the world, including at Anima Mundi in Brazil and the BBC British Short Film Festival. His credits include major motion pictures like The SpongeBob SquarePants Movie, and popular television shows such as Robot Chicken.
Benny Zelkowicz studied animation at CalArts and made the award winning film, The ErlKing. He worked on The LEGO Movie as well as several TV shows including Robot Chicken and Moral Orel.
Check out the blurb for WAYBOUND:
Phoebe Plumm and Micah Tanner are a long way from home and entrenched in a struggle with no end in sight. The Foundry, an all-powerful company that profits off the living metal creatures of Mehk, is unleashing a wave of devastating attacks to crush the rebel army of mehkans known as the Covenant and capture Phoebe and Micah, dead or alive. But the Covenant believes that their ancient god, Makina, has chosen Phoebe for a sacred task: to seek the Occulyth, a mysterious object they hope can turn the tide against the Foundry. With her father gone, Phoebe's once unshakable determination is broken, and while Micah tries to uphold the vow he made to protect her no matter the cost, their enemies are closing in and time is running out.
To celebrate, I am pleased to share an excerpt from the first volume of the trilogy, THE FOUNDRY'S EDGE. What is it about, you ask?
For Phoebe Plumm, life in affluent Meridian revolves around trading pranks with irksome servant Micah Tanner, and waiting for her world-renowned father, Dr. Jules Plumm, to return home. Chief engineer for The Foundry, a global corporation with an absolute monopoly on metal production and technology, Phoebe's father is often absent for months at a time. But when a sudden and unexpected reunion leads to father and daughter being abducted, Phoebe and would-be rescuer Micah find themselves stranded in a stunning yet volatile world of living metal-one that has been ruthlessly plundered by The Foundry for centuries and is the secret source of every comfort and innovation the two refugees have ever known.
Take a look!
The Plumms had seven Auto-mobiles in all. Phoebe’s favorite was the classic, electric-blue Flashback her dad had named Shameless. Tennyson, however, preferred the Baronet, which was the largest and most impressive of the collection. It was a silver arrow of aerodynamic design, with sweeping fenders whose curves reminded Phoebe of brushstrokes. Parallel grooves ran along the body, giving the impression that the Auto-mobile was speeding, even when it was at rest. The Baronet was quite a sight, but it was no match for Shameless.