Review: I Crawl Through It

By A.S. King
Available now from Little, Brown (Hachette)
Review copy
Read my A.S. King tag

From her first novel, THE DUST OF 100 DOGS, A.S. King has been interested in realistic issues but tackled them with fantastic flourishes.  With each of her novels, her popularity and critical acclaim have risen.  I love that she's taken the opportunity not to do the same thing repeatedly, but to push her work further and further into the edges.  I CRAWL THROUGH IT leaps into full surrealism.

The majority of the book is told through the point of view of Stanzi.  (Her name isn't Stanzi.)  She is split into two and finds refuge in her love of biology, always wearing a lab coat and compulsively dissecting frogs.  Some is told by China, who swallowed herself.  Some is told by Lansdowne Cruise, whose hair grows when she lies.  (She has very long hair.)  Some is told by Patricia, who is trapped in a place with no departures.  Their friend Gustav tells none of it, but he is central to the story - as is the helicopter he is building, which Stanzi can only see on Tuesdays.

It's a convoluted story, and on top of the surrealism, all of the narrators are unreliable.  Some truths are easy to find.  We all know what Irenic Brown did to China.  The details can be harder to determine, and much is left to the reader's interpretation.  King has a lot to say.  She sometimes hammers her point in, but she's often subtle.  (I do love the touch that despite there being prominent male characters, there are no male narrators.  This is a book where women's voices have primacy.)

Much is made in the blurb of I CRAWL THROUGH IT, as well as the design of the book itself, about the testing angle.  Yes, there is satire of the modern school curriculum culture.  In many ways I wouldn't pick that out as the central issue of the novel.  I think it has far more to say about how girls' voices are devalued, but maybe that's just me.

I CRAWL THROUGH IT is King's least accessible novel.  I think it accomplishes what King said out to do with it, and that her fans will have a lot of fun tangling through it.  It is definitely not my favorite King novel.  Like GLORY O'BRIEN'S HISTORY OF THE FUTURE, sometimes the polemics take over the story.  However, it is a rich read and a bold artistic statement.

Review: 5 Very Good Reasons to Punch a Dolphin in the Mouth

By Matthew Inman (the Oatmeal)
Available now from Andrews McMeel Publishing
Review copy



Okay, I often don't talk about what format I read a book in. I read the epub version of 5 VERY GOOD REASONS TO PUNCH A DOLPHIN IN THE MOUTH, which is relevant because the resolution wasn't all that awesome. You couldn't really zoom, which meant some bits were almost impossible to read. Judging by the reviews on Amazon, that hasn't been fixed. So printed is the way to go. Not that I expect many people to be more interested in the e-version of this. It's easier to browse through the random comics with a book or on the site than in an ebook.

I was excited for 5 VERY GOOD REASONS TO PUNCH A DOLPHIN IN THE MOUTH because I'm a big fan of the Oatmeal, author Matthew Inman's humor site. There are great infographics about such things as grammar, vocabulary, cheese, and coffee. There are also fun quizzes and some delightfully surreal comics, such as the eponymous work. It's nice to have some favorites collected and at hand.

At the same time, when idly browsing on the internet I never noticed how often Inman jokes about hookers. Not particularly good jokes, either. It got kind of uncomfortable after awhile.

Between being underwhelmed by the format and overwhelmed by (dead) hooker jokes, I was less impressed by 5 VERY GOOD REASONS TO PUNCH A DOLPHIN IN THE MOUTH. I'll continue to check the website, but I don't think I'm going to purchase the book for myself or as a gift for friends.

Review: Lost and Found

By Shaun Tan
Available now from Arthur A. Levine (Scholastic)
Review copy
Lost and Found: Three by Shaun Tan is a beautiful book. Tan's paintings vary in style, but all of them are full of interesting details. (Okay, not all of them are even paintings. There are collages, for instance.) I've noticed different things in the images everytime I've opened the book. The images stand well on their own, without the accompaniment of text.

The first story in this omnibus is "The Red Tree." This one has the most experimental art; sometimes the style changes between pages. "The Red Tree" gets quite dark, which could make it unappealing to younger children. There aren't many words, but the typography interacts with the pictures in interesting ways. The words are mostly unimportant to "The Red Tree." It's less of a story than a progression through the tone of a story, with misery gripping ever tighter then eventually giving way to hope. "The Red Tree" was my least favorite of the three, but only because the other two are such strong stories.

"Without sense or reason," Shaun Tan (2001)

Next is "The Lost Thing."  I loved the scrapbook style layout of this story. The narrator collects bottle caps and it seems like a fitting layout to express his personality. I also loved the bits of type included in the borders that sometimes show up in the middle of the page. This story would be good to read to a younger child before bed or for an older child (first grade or so) to read by his or herself. While it is far more conventional than "The Red Tree," it still has a distinctive style. This one was definitely my favorite, both for the humor and the sweetness. (Note: Shaun Tan just one an Oscar for the animated version of "The Lost Thing.")



The final story, "The Rabbits," was written by John Marsden (author of the Tommorrow series). This one is definitely for elementary aged children. It's an allegory of the British colonization of Australia from the point of view of the Aborigines. It's well-told and worth discussing with older children, but toddlers are more likely to be upset by the unhappy ending. Picture book does not necessarily mean children's book. The stylized profile of the rabbits did make for some incredible paintings, and Tan makes excellent use of negative space.

I think LOST AND FOUND is a good choice for families. The adults will enjoy the story and art as much as the kids. In fact, some adults will enjoy it even without the kids.