Review: Learn to Draw True Beauty

By Yaongyi
Step-by-step artwork by Ryan Axxel

Available now from Walter Foster Publishing

Review copy

I enjoyed the True Beauty webtoon, so I thought it would be fun to go through the Learn to Draw True Beauty book. I feel like this is a great idea for a tie-in to inspire young fanartists, with perhaps information they can also carry on to other art.

I found it a little disappointing how much of this title is fluff. This book has 96 pages. Getting Started is on page 22, with a full-page title page and full-page image of Jugyeong (the main character), with the actual information starting on page 24. Before that is intros to what webtoons are, what the story of True Beauty is, and who the main characters are. The most useful bit in these pages is the palettes for the main characters, listed on each of their pages. In general, I don't find these pages very useful since this book is aimed at people who are already fans of True Beauty.

The step-by-step section begins on page 34, again with a two-page splash before the information starts. As far as step-by-step goes, this book is definitely written for artists who already know the basics and just want to focus on the details of these characters. This is not a book for beginners, which might disappoint some young fans.

This is a well-produced book. Good paper, beautifully printed colors, good imagery to follow. But I feel like about a fifth of the book is wasted and could've been used to give more detail on the actual drawing part. Some fans will enjoy this tie-in, but I think many fanartists can develop their own takes on the characters without its help. A little more focus on the basics and details to make this more friendly to beginners would give the book a wider appeal.

Review: Saigami, Volume 1: Re(Birth) by Flame

By Seny (Andrea Otília Vörös)

Available now from Saturday AM

Review copy

Saigami comes from Saturday AM, which has been publishing webcomics online for ten years and recently moved into publishing physical copies of their most popular titles. I like Saturday AM's efforts to build up a diverse portfolio of artists from all over the world, but don't love their marketing of being the world's most diverse manga company. Yes, most manga isn't diverse because it is literally Japanese comics. But manga has been influencing creators around the world for decades now, so I think there is room for OEM (Original English-language Manga). However, I can't recommend Saturday AM as a publisher because there has been controversy about them paying artists.

Saigami starts in our world, where Ayami is a high-school girl with an absent father, a mother who is usually at work or drinking, and a house full of trash. She's struggling, and even her old refuge in books is starting to fail. Then, she gets a mysterious letter from her father, goes to meet him, and falls into a fantasy world where people called 'saigami' have elemental powers (and some even have dragons!). It's a pretty standard isekai setup delivered without much flair. There's a lot of exposition, both before and after Ayami ends up in another world, and certain things get brushed over without a thought. (If Ayami's father is a big mystery to her, why does she instantly know the letter is from him? Why isn't she curious about why her father's letter led her to a mysterious land?)

Once in another land, Ayami quickly meets two boys about her age: the friendly and well-connected Sean and the hostile outcast Reyji. They're both broad types with little sense of an inner life. Ayami gets to go on an important journey with them, even though she's utterly unqualified, as Reyji points out. Of course, as is obvious, Ayami turns out to be a saigami.

The story is fairly predictable and I wasn't drawn in my the characters. The art is okay. The backgrounds are quite nice, there is decent flow between panels, and I can understand what is happening easily. The character designs are consistent, but plain and somewhat amateur, with little variation in faces. Saigami reads like what it is: an OEM by someone who likes manga. Its inspirations are clear, but it doesn't really have a spark to make it stand out, despite its heroine's fiery powers.

Review: The Werewolf at Dusk and Other Stories

By David Small

Available now from Liveright

Review copy

Graphic novelist David Small's latest work is an anthology of three graphic short stories. One is written and illustrated by David Small; two are adaptations of existing short stories. All three are united by their use of monstrous creatures. (And, of course, the true monsters are humans.)

These stories tend toward a limited palette, mostly monochromatic blues with pops of red. The pages are constructed more like a picture book than a traditional graphic novel, with limited use of paneling and more narration than dialogue. The stylistic choices help tie these stories together visually as well as thematically. The Werewolf at Dusk and Other Stories is an anthology where I understand that throughline connecting the works.

The titular story is adapted from a story by Lincoln Michel. Lycanthropy as a metaphor for adolescence has become a cliche. This story takes that metaphor to the other end, exploring old age for an elderly werewolf. The pages that switch between the wolf as a young man and an old man are quite effective. He's a fascinating narrator, speaking of his nightmares of the moon even as he clearly misses the violence he used to inflict in those vital days.

"A Walk in the Old City" follows a burnt-out psychologist as he gets lost then saved by a seemingly friendly stranger. The sinister turn is perhaps obvious, but told with the glee of an entry in Scary Stories to Tell in the Dark. (And, I must say, the blind man's disdain for the psychologist is entirely understandable, even if his methods are quite extreme.)

The final story in the anthology, "The Tiger in Vogue," adapts a story by Jean Ferry. I appreciated that David Small's foreword (and a note afterword) illuminate the more liberal changes he made to the story, mostly to help make the 1920's German setting clear to a modern audience (rather than a contemporary one). This story is the largest departure stylistically, but the violence threatening to break out is a familiar thread. This one also intrigued me into picking up the original short story. The complicity of the audience feels all too timely, even though the source material is the oldest in the anthology.

The Werewolf at Dusk and Other Stories is not a long read, at less than 200 pages. However, I did find each story thought-provoking.

Review: The Jane Austen Escape Room Book

Illustrated by Marjolein Bastin

Available now from Andrews McMeel Publishing

Review copy

Marjolein Bastin, known for her art featuring nature, has previously illustrated all of Jane Austen's novels. Now, her art is used to create a puzzle book featuring characters from Pride and Prejudice. (The original edition is under copyright by a German company; I could find no credit for the author of the text.) I've experienced many Pride and Prejudice spin-offs, and as someone who loves puzzles, this one intrigued me.

The title refers to an escape room, and many of the puzzles are similar to an escape room's in nature, such as holding paper up to a light to see a hidden message. However, no one needs to escape a room in the story. Instead, Elizabeth Bennett must escape a ploy to ruin her reputation. Can she discover who tried to ruin her and why, and convince Mr. Darcy to still consider marriage?

The text doesn't try very hard to sound like Austen, except for some dialogue. It also doesn't use paragraph breaks between speakers, which I hated as a stylistic choice. But the text is fine for setting up the puzzles, and sometimes contains clues.

The puzzles vary in difficultly. There's one that requires solving a simple subtraction problem at the easy end. On the difficult end I would put one of the more complicated math problems or the more involved cipher on the newspaper. There's at least one puzzle that isn't difficult but is tedious, involving choosing the right set of three recipes from a group of eight. Printing them in various handwriting-style fonts, with the recipes arranged at all angles looks beautiful, but is a pain to read.

If someone does have too much trouble, the answers are always given at the beginning of the next puzzle. There is also a solutions section in the back, as well as a newspaper page with more hints.

My largest issue with this book is the layout. Some puzzles have additional material in the back. These are all perforated pages that can be pulled out of the book, although only one of them actually needs to be pulled out to be solved, so I'm not sure of the purpose of doing them this way. You have to figure out on your own to flip to the back ... which also requires flipping past the solutions while trying not to look. Worse though is that the extra hints are included between the ending and the solutions. I had no idea they were there until I was done with the book. The introduction mentions referring to an appendix, but I thought that meant the same section as the extra material. Due to placement, I don't think they'd be very helpful to many puzzlers.

The art in The Jane Austen Escape Room is beautiful, and I enjoyed looking at it. But I didn't love the puzzles. Sometimes I would've preferred more instructions, because I was often left thinking, "Surely, I'm meant to do more than just look at this clearly labeled map?" (No, that was all I needed to do.) My favorite puzzle was actually the final seating chart one. There are only 18 puzzles, so I could get far more puzzles for my money in a puzzle book without the Jane Austen framing. The framing was cute, but executed fairly indifferently. I feel like this book won't quite satisfy Austen or puzzle fans, beautiful though it is.

Review: Silver Alert

By Lee Smith

Available now from Algonquin Books

Review copy

I never go on a road trip without books. Silver Alert seemed like a perfect choice, the story of an octogenarian and his ailing wife's manicurist going on a wild joyride. Little did I know that their joyride wouldn't start until over halfway into the novel. This is not a road book at all.

Silver Alert is written in a stream-of-consciousness style, switching between the points of view of Herb and Renee/Dee Dee. Herb is an old womanizer with multiple terrible kids. His younger wife has severe dementia, and he's struggling to care for her while denying that he needs care himself. Enter Dee Dee, a seemingly naive young manicurist who clearly isn't licensed, but can actually help calm Susan down and make her happy. Dee Dee is dealing with her own struggles, living in a trailer park with a friend who is getting involved with the wrong guy, while Dee Dee herself gets involved with a rich young poet.

While Silver Alert is written in a breezy style that makes it an easy read, it does deal with heavy subject matter. There's the loss of control over one's own life before death, of course. But there's also Dee Dee's past, which deals with sex trafficking and child abuse. The problem is that Dee Dee's character never felt believable to me. She supposedly has a seventh grade education, but is written more like she only has a third or fourth grade education. It made me wonder if Lee Smith initially wrote the abuse starting earlier, then decided that was too dark. More than that, Dee Dee is immensely trusting, including the men in the story. 

Conversely, I find Herb's voice very believable. I've seen dementia up close, and feel like Lee Smith has as well. There's little touches, like Herb having very little thought-to-mouth filter that make his developing mental state clear, even while he's in denial. Him not wanting to deal with intense medical treatment at his age (for a diagnosis he tries to keep secret from his family) also makes sense. Dee Dee being entirely unwary of this man when we've heard his leering thoughts and even his family is aware that he'd make a move on her despite the age difference didn't ring half as true.

I do think that people can maintain their innocence and naivety even through terrible situations. I get the appeal of throwing an old and grouchy character together with a young and optimistic one. But Silver Alert didn't work for me. It wanted to bring up tough subjects but not have them actually affect the characters. Thankfully, it was a quick read.

Review: Women in History: 300 Word Search Puzzles

Constructed by Rebecca Falcon

Available now from Chartwell Books

Review copy

I love a good word search puzzle to keep myself entertained. They're simpler than a crossword or sudoku (to me), but still keep me engaged while I'm working them. The theme of Women in History instantly had me giving this word search book a chance.

At $11, it is more expensive than the word search books I see in the grocery store checkout. I can tell this book has a more premium format, with thick paper and a spine that is able to lay flat so that the book doesn't close on my current puzzle.

The 300 puzzles in this book are arranged into three levels: easy (up-down or left-right only), moderate (up-down, down-up, left-right, right-left), and difficult (the only level with diagonal). On the easy levels, you find the names of women, grouped by theme. In the moderate, the puzzles focus on the accomplishments of singular women. The difficult puzzles focus on women's contributions to society.

Personally, the difficult puzzles are my favorite. I like finding words diagonally, so for me it was extremely disappointing that wasn't even an option for most of the puzzles. Overall, these are fairly simple puzzles, with not many words to find per puzzle. The puzzles are well-constructed, but a bit easy. The premium feel makes it seem like this book should be more advanced, for the serious word searcher, but most of the puzzles are super quick and basic.

Women in History does have a major editing error. Quite a few of the puzzles and clues aren't printed together - the clues on one page belong to the puzzle on the page before. This affects about 1/12 of the book.

This word search book has a great theme and would make a decent gift, but I wish the editing issue had been caught and that the puzzles were harder.

Review: Aloha

Art by Tere Gott

Available now from Tere Gott

Review copy

Chilean artist Tere Gott frequently posts her art on Instagram, and the coloring-book pictures in Aloha are super Instagram friendly. There are succulents, yoga, and more. The theme of Aloha is the beach, but not all of the images are directly beach related. My favorite page features a UFO.

This coloring book includes 22 images and is $45. Yes, that is pricey. However, this is an oversized coloring book. The book itself is 17.4 x 11.8 inches and each page is perforated. These posters are pretty easy to frame in an 17 x 11" frame, which is an easy size to find since it is a common size for digital printing. 

In addition, the sheets are 0.5 lb duplex paper, meaning that they're thick and backed so that there is no bleedthrough, even if the page isn't removed before coloring. (The cover lies completely flat when opened.) Markers, watercolors, and more can be used on these pages. 

This is an incredibly designed coloring book. The designs are simple, though some of the detail work is difficult with mediums like watercolors. Most of the backgrounds are plain, allowing for personal creativity.

Aloha is an incredibly designed coloring book. I'd love to see more coloring books in this style.

Review: Banana Fox and the Secret Sour Society

Written and illustrated by James Kochalka

Available now from Graphix

Review copy

Popular children's graphic novelist James Kochalka starts a new series with Banana Fox and the Secret Sour society. The titular Banana Fox is a detective who loves bananas, receiving adulation from his fan club, and saying, "Wowie pow!" He's aided by Sharyanna, or Flashlight, a kid who he meets at the beginning of the story and who is the much better detective.

The story of the Secret Sour Society is appealingly silly. There's mind-controlling soda and a giant turtle and plenty of fun things. Some of Kochalka's work has crossover appeal, but this one is aimed squarely at young readers. The art adds excellent context to help younger readers understand the text, in addition to being fun on its own. Kochalka's art is deceptively simple. He doesn't crowd the page, but there is plenty of dynamic movement to guide the eye.

 I found Banana Fox himself tedious. But that's fine. Six-, seven-, and eight-year-old kids will love Banana Fox and the Secret Sour Society and there's no inappropriate content. Nothing wrong with kids reading stories they find fun.

Review: Crush + Color: Twentieth Century Foxes

Illustrated by Maurizio Campidelli

Available now from Castle Point Books

Review copy

I think all of Maurizio Campidelli's Crush + Color coloring books are good fun, but the Twentieth Century Foxes pun in particular cracked me up. I think this is the first book in the series not to cover a single actor. Actors not pictured on the cover include Antonio Banderas, Patrick Swayze, Pierce Brosnan, and more. All have more than one coloring page. An index might have been a nice addition to this one.

Thankfully, the actors are identified on each page just in case I didn't recognize them. Their names are always used in the short fantasy bubble that appears opposite the coloring page. Only one page in a spread is designed to be colored and the pages are perforated, allowing for the pages to be removed and either shared or used for decoration.

The art on these pages goes almost to the edges, but there is a small border. I find most of the images appealing from a coloring standpoint, with a mix of detailed areas for when I want to focus and bigger areas for when I want to zone out. I feel like Campidelli is great at laying out a coloring page. The paper is nice too, much better than a children's coloring book. I used markers on one page without bleed-through to the next coloring page.

I do think that Campidelli's likenesses vary in quality. I don't particularly like his Denzel Washington or George Clooney. But I think his Antonio Banderas and Kurt Russell are great. There is more detail to the faces than the rest of the page, which doesn't always work for me.

Overall though, I very much enjoy this coloring series and think Crush + Color: Twentieth Century Foxes is a fun addition. These coloring books have a fun sense of humor and appealing subject matter.

Review: Just Like That

By Gary D. Schmidt

Available now from Clarion Books

Review copy

Just Like That is a companion novel to The Wednesday Wars and Okay for Now, both of which I haven't read. I thought it stood well on its own, although I did get the sense at the beginning that I was reading the sequel to a book I hadn't read.

Meryl Lee Kowalski is struggling with grief, or the "Blank," as she calls it. Every night on the news, she sees reports of soldiers killed in Vietnam who never got to say good-bye to their loved ones. She struggles to handle the weight of it and the way it mirrors her feelings about her best friend Holling Hoodhood, who died suddenly in a car crash. She never got to say goodbye to him. Her parents don't know how to handle her feelings and are secretly dealing with their own issues, and choose to send Meryl Lee to St. Elene's Preparatory Academy for Girls. 

Meryl Lee struggles to fit into the boarding school culture, which involves things like not talking to the girls who work around the school. It also requires doing a sport, which Meryl Lee had never considered before and initially fails at, until finding something strangely compelling about the violence of lacrosse. She also starts to notice a power struggle between the headmistress and some teachers with different political views.

In a parallel story line, Matt Coffin moves into a shack on the coast. He's on the run from someone, and dealing with his own grief. He starts to carve out a life for himself, a storyline that appeals to the part of me that loved rugged domestic stories like Hatchet and the first Boxcar Children. He also encounters some helpful adults that give him room to approach them - one of whom happens to be the headmistress of St. Elene's.

The eventual meeting of Meryl Lee and Matt is inevitable, but the path to that point is an enjoyable one. Just Like That is stuffed full of incident and ideas and interweaving stories. I never felt like Gary D. Schmidt had lost control of the plot, however. He masterfully balances the disparate elements of Just Like That, tying everything together with the themes of grief and the struggle to heal. Just Like That is  deeply sad novel, but also a very funny and hopeful one.

Review: U Up?

By Catie Disabato

Available now from Melville House

Review copy

I am a firm believer that protagonists do not have to be likeable. For me to be interested in their story, there must be something intriguing about them, but they don't have to be likeable. U Up? has a protagonist that tests my patience. Eve is relentlessly self-centered, judgmental as hell, and the sort of lesbian who throws around a slur every two seconds like her personal reclamation is activism. (It's a trait that made me wince multiple times a page, on average.) Reading her stream-of-conscious narration was often hellish.

This narration is only broken up by text messages. The poor decision was made, either by publisher Melville House or author Catie Disabato, to print a full-screen of text messages every time instead of just the new texts, often wasting entire pages with repeated texts. In other words, it isn't much of a relief.

In U Up?, Eve is on a rampage because it is the anniversary of her best friend Miggy's suicide and her other best friend Ezra is ghosting her after telling her that he broke up with his girlfriend the night before. Everyone they know tells her to cool it and let him lick his wounds in private, but she's determined that something must have happened to him since he's not answering her calls, and their friendship is extra special.

Oh, and Eve can talk to ghosts. The cover copy mentions that she texts her dead friend Miggy, but I thought that meant she sent texts to the void, saying things to a friend who could no longer speak back. No, she holds conversations with her dead friend Miggy, who also thinks she should cool her jets. Ezra's ex Nozlee can speak to ghosts too, and she and Eve were actually buddies back in New York before they met all their LA friends, because they met in witch school. 

Since U Up? is more literary fiction than speculative fiction, this aspect of the novel tends to recede into the background even though it is the most fascinating thing happening. It's an underbaked element that I kept wishing would be explored more, until it becomes integral to the climax.

I enjoyed the end of the novel more than beginning, partially due to the nature of story about the protagonist going on a journey means that Eve is more bearable by the end. But also because the end has a bunch of weird ghost stuff and that's the best part. 

I found Eve to be a very believable character, but she grated on me too much for me to vibe with her story. I might've enjoyed the full on crazy ghost version of this story, but the one I got dragged for far too long.

Review: Kit: Turning Things Around

American Girl Historical Characters

By Valerie Tripp

Illustrated by Walter Rane

Available now from American Girl

Review copy

Kit: Turning Things Around is an abridged collection of the final three core Kit books. (Kit also had a mystery series.) This second volume has more action than the first, but continues to be mostly character driven. These three books don't flow as smoothly together as some of the others.

The first part involves on of the most memorable characters in the series, Kit's Aunt Millie. Aunt Millie is an expert at thrifting and making the best out of what they have. As much as Kit loves her, she still lashes out when Aunt Millie demonstrates how poor she is to her classmates. In the second part, Kit and her friend Stirling visit a hobo camp with their new friend, the homeless Will Shepherd, and end up getting arrested when they ride the rails together. These two misadventures do help Kit in the climax. Her Uncle Hendrick keeps writing editorials criticizing the New Deal, so aspiring journalist Kit writes her own editorial based on her experiences with the people living and working through the Great Depression.

The aforementioned second part struck me as pretty over the top compared to everything else in the Kit books, but I probably would've loved the excitement as a young reader. Overall, this volume brings Kit's story to a satisfying conclusion. The first bit of news she writes in Kit: Read All About It! is a bratty complaint about her mother; in the end, she's using her writing to give a voice to children who are truly in need.

I do feel like abridging this set of books didn't do them many favors since the focus is so different in each that it feels like the book really hops around. At the same time, Kit: Turning Things Around is a pretty quick read with a lively heroine that I'm sure bookish young girls will love.

Review: Kit: Read All About It!

American Girl Historical Characters

By Valerie Tripp

Illustrated by Walter Rane

Available now from American Girl

Review copy

Kit: Read All About It! collects what were the first three core books in the Kit series in a single abridged edition. (Kit also had a mystery series.) Kit was added to the American Girl lineup in 2000 and was the first girl whose books I never read as a child because I considered myself too old for them.

It's 1934 in Cincinnati, Ohio and the Great Depression is in full swing. So far, Kit Kitteridge has been insulated from the worst. But suddenly, her family has to take in boarders and she has to live in the attic. Her brother Charlie reveals the truth: their dad is losing his car dealership. He'd tried to hang on, not firing any employees and paying them from his savings, but now he has to close the dealership and the family must make money in other ways to keep their house. Kit is still better off than many of her contemporaries due to her family's home ownership, but they're teetering on the edge of poverty.

Kit: Read All About It! takes a dramatic period of American history and makes it personal and child friendly, as all the American Girl books did. Kit is motivated by her ambition to become a reporter, and writing her newsletter is also a good way for her to hang out with her friends. There's friction between her and her old friend Ruthie, since Ruthie's family is better off than Kit's. There's also tension with the only boarder Kit's age, Stirling, until they learn how to deal with his overbearing mother. Even though Stirling is her friend, Kit is often frustrated by all the boarders. She doesn't like the chores that come with them and wants more of her own space. Her feelings on the situation are very relatable.

The Kit books aren't as dramatic as the Abby books, but they're still fun, quick reads. Real history is woven into stories of friendship and community. There's also a short nonfiction section at the back of the book. I think this is a good read for about the third-grade level.

Review: The Eternaut 1969

Written by Héctor Germán Oesterheld

Illustrated by Alberto Breccia

Translated by Erica Mena

Available now from Fantagraphics

Review copy

The Eternaut, serialized from 1957 to 1959, is a seminal work of Argentinian science fiction. The Eternaut 1969 is a reboot that never quite found its audience and was canceled and quickly finished in a few breakneck chapters. In 1976, the author Héctor Germán Oesterheld, would write a sequel to the original, shortly before his works were banned in Argentina.

I appreciate the work Fantagraphics put into this volume. There's explanatory material before and after the story to help place The Eternaut 1969 in Argentinian culture, including the political background of the story. It also discusses its place in the ouevres of both Oesterheld and Alberto Breccia, who did not draw the more famous version. (That was F. Solano López.) This material helps explain why the comic was cancelled and why it still deserves to be remembered as a work of art.

I can understand why it failed. Apparently, many of the complaints sent to the magazine it ran in (Gente) said that Breccia's art was impossible to follow. Breccia's art is often abstracted; when the aliens appear, their form is more suggestion than depiction. There's an intriguing textures and bold use of white. Artistically, it is compelling. But easily comprehensible, it is not. I'm sure the magazine printing also wasn't as neatly done as Fantagraphics' presentation.

The story of The Eternaut 1969 is quite compelling. A time-traveler (traveling through eternity instead of space) comes to tell his tell to a comic-book artist. One day, snow begins to fall in Buenos Aires. It kills. Juan Salvo, his wife, daughter, and friends survive, but soon discover that South America has been sacrificed to alien invaders by the rest of the world. Their small steps toward survival are interrupted when the military presses them into service. The Eternaut 1969 is pessimistic about both world and local governments.

At the time, it made Oesterheld controversial. But seven years later, he would become one of the desaparecidos. Over 30,000 people were forcibly disappeared by the Argentinian government when a U.S.-backed junta took over the country. It's a chilling ending to his biography that adds weight to the hastily finished, imperfect The Eternaut 1969. It's not a popular story, but it is an honest one. In the end, this graphic novel is as compelling for the story of why it failed as well as the art within.

Fantagraphics recommends pairing this work with the original The Eternaut. Their English version is currently sold out, but being reprinted. I do think it is fascinating to be able to compare the two.

Review: Eric

Written and illustrated by Shaun Tan

Available now from Scholastic Press

Review copy

More than ten yeas ago, I reviewed Lost and Found by Shaun Tan. It is a joy to return to his work, although Eric is not new. This was originally one of the stories included in Tales from Outer Suburbia, published in 2009. This is disclosed in the book's legal matter, and I'm sure fans of that anthology would recognize Eric on the cover of this eponymous volume.

Eric is a short, sweet tale. The narrator tells of a strange exchange student who came to live with their family. (No gender is given for the narrator.) The narrator is excited to share their life with Eric, who is quiet and a little strange to them. The mom, of course, chalks it up to cultural differences. Nothing is ever said of the fact that Eric is a small, wispy figure.

Tan's art adds so much to the story. The art expounds upon the text, each giving us a bit of insight into the mysterious Eric. The art is whimsical, full of beautiful details and charming humor. When the art disappears with Eric, the emotional impact is felt. Then, for the first time, color is added to the black and white illustrations.

I can understand why Eric was reprinted as a standalone work. It is a timely story about the joy of sharing your culture with another person and the beauty of experiencing their cultural in return. It is a kind story, and a hopeful one, punctuated by bits of melancholy that make the happy ending that much better. I highly recommend this lovely book.

Review: The Hardest Hidden Pictures Book Ever

Available now from Highlights Press

Review copy

 

I can remember Highlights magazine from my elementary-school days. Decades later, Highlights Press is still publishing books for children. The Hardest Hidden Pictures Book Ever is an activity book for ages eight through twelve, approximately. There are hidden-picture activities on every page, as well as an overall hidden picture activity for the whole book. In the back are the answers.

 

There is an appealing mix of puzzles in The Hardest Hidden Pictures Book Ever. Some art is in color, some black and white, some photographs. Some are small and fit four to a page, some fill a whole spread. In some the objects are identified for you. Others have clues and you have to identify the objects. This book might be mostly full of visual puzzles, but there are some verbal skills involved as well. The hard puzzle has no clues, except for stating how many objects are hidden.

I think a twelve-year-old could easily do these puzzles alone, but an eight-year-old might need a little help. Either way, with more than 80 puzzles, there's enough to keep kids occupied for a while and coming back for more. I also like that the pages are slightly thicker than a basic coloring book so there's less chance of a pencil poking through the page.

The Hardest Hidden Pictures Book ever is a good choice for the child who likes hidden pictures puzzles. This is a nicely made, thick activity book.

Review: Cells at Work! Baby Volume 1

Written and illustrated by Yasuhiro FUKUDA

Based on Cells at Work! by Akane SHIMIZU

Translated by Dean Leininger

Available now from Kodansha Comics

Review copy

Cells at Work! Baby is one of many spinoffs from the original Cells at Work! In this manga by Yasuhiro FUKUDA, the main character is a red blood cell going about her work, when the body she resides in is born. From there, the cells have to learn how to do their jobs and keep the baby healthy now that it is no longer a fetus supported by the mother's body.

Fukuda's art is adorable. It is very in line with the established style for types of cells from Cells at Work!, but using a chibi style to suit the fact that these are all baby cells. The red blood cell and her best friend, a hemoglobin-F red blood cell, also have very sweet adventures as they look out for each other and their body. The stories are all based around biological fact, with extra informational asides to provide more in-depth facts. Pediatrician Naoyo HASHIMOTO did serve as a medical editor to ensure that the facts in Cells at Work! Baby are accurate to current medical knowledge.

If I have one complaint, it is that generally the female characters are less competent than the male characters. (With the large exception of the mother's grown-up cells, seen shortly before the baby is born.) It's such a small thing that would have been easy to fix.

But overall, Cells at Work! Baby is a charming read about the intricate biology behind a baby taking its first breath and  developing an immune response to antigens. There's plenty of action in a baby's first days!

I think this is an adorable spinoff that is sure to appeal to fans of the original.

Review: Cute Little Lenormand

By Sara M. Lyons

Available now from St. Martin's Essentials

Review copy

A few years ago, a friend turned me on to tarot as a writing tool. From there, I learned techniques to use tarot to help myself make decisions. Lenormand is not tarot, but it is a similar fortune-telling card game. Cute Little Lenormand has been my introduction to this type of cards, and I think it has served well in that capacity.

Author and illustrator Sara M. Lyons endeavored to make a modern Lenormand, with gender-neutral cards and depictions that would be intuitive to modern life. The guide book covers the history of Lenormand, techniques to learn the cards and spreads, and detailed information about ways to interpret each card. There's also recommended further reading. One thing I liked throughout the guide book is that Lyons is very clear that she has her own biases and preferred way to read the cards and her deck is based on her preferences. 

There were very few things I didn't like. I did pick up that Lyons calls card 30, the Lily, "the feminine consort to the Whip's masculine energy. If the Whip is bondage and black leather, then think of the Lily as rose petals, satin sheets, and pink champagne." Lyons went through a great deal of effort to approach the deck in a gender-neutral manner, so throwing in that one random instance of gendering objects threw me. I also found Lyons' approach to card 14, the Fox, slightly odd. She focuses on it entirely as a career card throughout the book, with only a small mention in its write-up that it can refer to a person. This does tie back to her open preferences (she likes to read it as a job significator), but as someone new to reading Lenormand, I could have used more guidance in using it in other situations. Lyons usually provides more information on cards with multiple readings.

I found Lenormand easy to pick up based on this deck and had fun doing simple practice readings and working up to bigger ones. This is an extremely intuitive deck for me. Plus, the art is just cute.

As a physical object, the cards are well made and the mostly pastel pink and blue palette fits the cute theme. I do wish the deck came with a tuck box instead of an envelope in the back of the book. It would be more portable, and I don't like how the envelope looks pushing on the pages.

I think Cute Little Lenormand is a great choice for beginners. It's definitely easy for me to turn to when I'm having trouble making decisions.

Review: What Big Teeth

By Rose Szabo

Available now from Farrar, Straus and Giroux

Review copy

A boy runs through the forest, pursued by monsters. He has no chance of escaping; they're toying with him, having fun. I know how fun it is because the narrator is telling me so. In fact, she thinks he looks rather delicious. So begins What Big Teeth. It's an electric, perverse opening, and the book struggles to regain that feel.

After that fateful night, Eleanor Zarrin was sent away from her wild family. Years later she returns from boarding school, fleeing the consequences of an incident with a schoolmate. She returns home a total stick in the mud. She's forgotten her family in those years away and struggles to handle their monstrous nature. She wants them to be polite and mannered and fit in, like she spent so long doing.

For quite a while, What Big Teeth builds mystery after mystery. There are the mysterious incidents that drove Eleanor away from her family and then back. There are questions about Eleanor's nature, who she truly is inside. There's her grandmother's mysterious accountant, who all the Zarrin's are mysteriously in love with (including Eleanor's father, cousin, sister, and self). So much is kept mysterious for so long that I'd find myself startled by facts, like Eleanor's sister Lucy being about five years older than her. 

What Big Teeth is not short on atmosphere. Rose Szabo has a way with creepy imagery and haunting emotions. But this is Szabo's debut novel, and it very much feels like it. The ending of the novel is filled with several chunks of exposition, some of which Eleanor could have figured out much earlier to get the plot moving a little more quickly. When characters are horribly maimed I had little reaction, because outside of Eleanor and Arthur the characters are extremely flat. This is the kind of debut novel that makes me want to read what the author writes next, even if I don't want to read this book again.

What Big Teeth is a defiantly strange novel. It is often deliberately off-putting, which is what makes it appealing to weirdos like me. I'd recommend it to fans of Hannah Moskowitz. A faster pace and more characters to be invested in would have served the story well, but Szabo has shown a strong sense of style.

Review: Addy: A Heart Full of Hope

American Girl Historical Characters

By Connie Porter

Illustrated by Dahl Taylor

Available now from American Girl

Review copy

Addy: A Heart Full of Hope picks up where Addy: Finding Freedom ended and collects the final three books in the Addy series, edited to flow as one story. Once again, I couldn't tell where the original books began and ended when reading.

I appreciate that Connie Porter didn't make Addy's story entirely about slavery. The American Girls have the burden of representing history to children, and Addy's time living free in Pennsylvania helps give a fuller portrait of Black lives in the late 19th century. At the same time, Addy:A Heart Full of Hope lacks the distressing details and terrifying flight of Addy: Finding Freedom. Most of the American Girl book series peaked in action with the final "Saves the Day" book. Not so for Addy, whose fundraising efforts can't compare to escaping slavery in a desperate flight.

Still, there are plenty of events to keep young readers turning the pages, including Addy's hope of reuniting with her older brother.

The "Inside Addy's World" section at the end of the novel provides more historical detail on life for Black people after the Civil War. This nonfiction section is an excellent extension of the novel, which is full of fascinating historical detail. I appreciate the advisory board that put so much effort into the Addy novels. I think these books are a great way to introduce young readers to slavery, the Civil War, community organization, and civil rights. I love that they're being repackaged for a new generation.

Since 2021 is the 35th anniversary of the Pleasant Company, a reproduction of the original Addy is currently available for sale, in addition to the current version.