Showing posts with label unfavorable. Show all posts
Showing posts with label unfavorable. Show all posts

June 7, 2023

Review: Silver Alert

Silver Alert
Available now from Algonquin Books
Review copy

I never go on a road trip without books. Silver Alert seemed like a perfect choice, the story of an octogenarian and his ailing wife's manicurist going on a wild joyride. Little did I know that their joyride wouldn't start until over halfway into the novel. This is not a road book at all.

Silver Alert is written in a stream-of-consciousness style, switching between the points of view of Herb and Renee/Dee Dee. Herb is an old womanizer with multiple terrible kids. His younger wife has severe dementia, and he's struggling to care for her while denying that he needs care himself. Enter Dee Dee, a seemingly naive young manicurist who clearly isn't licensed, but can actually help calm Susan down and make her happy. Dee Dee is dealing with her own struggles, living in a trailer park with a friend who is getting involved with the wrong guy, while Dee Dee herself gets involved with a rich young poet.

While Silver Alert is written in a breezy style that makes it an easy read, it does deal with heavy subject matter. There's the loss of control over one's own life before death, of course. But there's also Dee Dee's past, which deals with sex trafficking and child abuse. The problem is that Dee Dee's character never felt believable to me. She supposedly has a seventh grade education, but is written more like she only has a third or fourth grade education. It made me wonder if Lee Smith initially wrote the abuse starting earlier, then decided that was too dark. More than that, Dee Dee is immensely trusting, including the men in the story. 

Conversely, I find Herb's voice very believable. I've seen dementia up close, and feel like Lee Smith has as well. There's little touches, like Herb having very little thought-to-mouth filter that make his developing mental state clear, even while he's in denial. Him not wanting to deal with intense medical treatment at his age (for a diagnosis he tries to keep secret from his family) also makes sense. Dee Dee being entirely unwary of this man when we've heard his leering thoughts and even his family is aware that he'd make a move on her despite the age difference didn't ring half as true.

I do think that people can maintain their innocence and naivety even through terrible situations. I get the appeal of throwing an old and grouchy character together with a young and optimistic one. But Silver Alert didn't work for me. It wanted to bring up tough subjects but not have them actually affect the characters. Thankfully, it was a quick read.

December 13, 2020

Review: The Nocturnals Adventure Activity Box

The Nocturnals Adventure Activity Box

By Tracey Hecht
Illustrated by Kate Liebman
Available now from Fabled Films Press
Review copy

The Nocturnals Adventure Activity Box looks something like a subscription box (and I do know there are similar ones for books). Inside is the first hardcover chapter book in The Nocturnals series, The Mysterious Abductions, The Nocturnals Activity Book, and a plush of Dawn the fox. There's also a bookmark. The book and plush can be purchased separately, but the activity book is unique to the box.

The Dawn plush is extremely cute. Mine arrived with the fur needing some fluffing, but that's typical for shipped stuffed animals. The neckerchief she's wearing comes right from the first chapters of the book, a detail that will delight kids who are sticklers from accuracy. It is stitched on, but a parent can cut it off if desired.

The Nocturnals Activity Book is a black and white and has several different versions of a few activities rather than several different activities. There are word searches, crosswords, matching animals to facts, and some arts and crafts. The cut-out sections are printed so that no activity on the reverse side is destroyed. There is a bingo that needs multiple players, kiwi birds that can be cut out to play hockey (like in the book), masks of the main characters, and hearts that can be made into the main characters faces. The activity book notes it is for fourth and fifth graders, but I would say a third grader could definitely do the activities, especially since the crossword includes a word bank. (Weirdly, words are repeated between the crosswords.)

The centerpiece, of course, is the book itself. The Mysterious Abductions is the tale of three nocturnal creatures: Tobin the pangolin, Bismark the sugar glider, and Dawn the fox. They come together to form a brigade to protect their fellow animals. Their first case involves a series of strange disappearances.

The chapters in the book are short and filled with action, propelling a young reader along. There are lessons about teamwork and standing up to bullies. The characters themselves mostly have surface traits. Dawn is the stalwart leader, and has an intriguing past with a coyote. Tobin is steady. Bismark is an insecure show-off.

Kate Liebman's sugar glider

Bismark, unfortunately, is the most talkative of the Nocturnals and the worst part of the book. His dialogue is super annoying, speaking in triplicate and peppering his speech with languages such as Spanish and French. I think it is supposed to be a fun way to introduce common non-English phrases to kids, but it irritated me, especially coming from Bismark. He hits on Dawn constantly, even though she shows no interest in him. This sort of lothario used to be a stock comedy character, but it isn't cute, especially in a kid's book.

Also, in a series with a running message against bullying, Bismark is one of the biggest bullies of them all. Throughout their adventure, the brigade meet up with other nocturnal animals who join the team to help out. In The Mysterious Abductions, this includes a trio of bats. Bismark insults them constantly, including calling them dingbats and mocking the way they speak in threes (look whose talking). Weirdly, no one seems to have an issue with how he speaks to their allies. 

The narrative even seems to agree with him at one point, when Dawn notes, "But upon inspecting the creatures before her, she understood what he meant. The fur on their chests was matted and mangy, and their rickety wings were covered in scrapes. (37)" There's no reason for the bats to be in such poor shape, and the other animals aren't treated so rudely or remarkably dirty. Bats are cool! I found their treatment egregious and contrary to the book's message.

Kate Liebman's art is featured in full color at the beginning of each chapter. Some of it is cute, in a slightly askew way. Some off-putting.

I think this activity box is a super cute idea to turn the first book in a series into a gift. But I don't think I can recommend this series.

March 2, 2016

Review: In Real Life

In Real Life By Jessica Love
Available now from St. Martin's (Macmillan)
Review copy

Hannah Cho has never met her best friend Nick Cooper in real life.  This spring break, she's going to change that by road-tripping to Las Vegas with her sister and her other best friend.  She's also, finally, going to tell Nick how she feels.

I couldn't wait to read this book!  The cover is adorable, and I always love Vegas and road trips.  I also liked the premise, because I've made many good friends online and meeting them in person for the first time is always a heady experience (despite not being in love with any of them).  Nowadays, online relationships transition into real-life relationships more and more.  It started promising too.  I can almost always empathize with the awkward overachiever.

Yet, I could feel myself getting crankier and crankier as I read.

I felt for Hannah when her big confession didn't go the way she planned.  Nick already has a girlfriend, and is different from the guy she spoke to on the phone in other ways as well.  But ... she keeps acknowledging and then backing away from the fact she brought a lot of her emotional troubles on herself.  Nick already confessed his feelings for her and she turned him down - brutally.  He didn't tell her about his new girl because he was licking his wounds in private. 

I understood why Hannah felt hurt, but once you turn someone down you don't get to whinge endlessly about them moving on.  I was on the side of Grace and Lo (her sister and friend), who were both encouraging her to be honest about her feelings and to please let them enjoy their vacation if she was just going to mope about a tangled snarl of love she caused.  (Actually, I pretty much liked every character but Hannah.)

Worst of all, reading IN REAL LIFE made me feel old.  I think I would've rolled my eyes at this kind of drama even as a teen, but I just had zero patience for it.  IN REAL LIFE had the bones of a story I could've loved, but I just found it grating.

September 4, 2015

Review: A Whole New World

A Whole New World A Twisted Tale
By Liz Braswell
Available now from Disney-Hyperion
Review copy

The premise of the Twisted Tales series strikes me as brilliant: Disney allowing their versions of classic stories to be retold as dark YA novels.  The heroes and heroines of Disney stories are teens, and there is often room for things to go horribly awry.  In A WHOLE NEW WORLD, Jafar gets the lamp as soon as Aladdin steals it, leading to the rise of a dark rule in Agrabah.

Unfortunately, A WHOLE NEW WORLD is not good.  The first 22% is a retelling of the movie events written in a competent but not particularly engrossing style.  When things finally start to diverge, the tone just doesn't work.  The beginning was basically the light cartoonish style of the movie, so the darkness also begins strangely cartoonish.

There's also the fact that nothing in A WHOLE NEW WORLD really evokes the movie.  When Jasmine and Aladdin talk, I can't hear their voices in my head.  The fate of Agrabah is at stake, and yet I can't get a feel for the city even with Liz Braswell expanding it and diving deeper into the underworld of the Street Rats.  Everything feels vaguely modern and American, down to details like Jasmine mentioning a dog as a common pet.  I was bland, as if a few details pasted in from the movie were enough to make the setting work.

A WHOLE NEW WORLD isn't completely irredeemable.  Braswell makes Jasmine an equal protagonist who earns the right to rule and works hard to rescue herself and her city.  I appreciated that she leaned in to the feminist potential of Jasmine refusing to be forced into marriage.  That's about the best compliment I can offer this novel.

For such an amazing premise, A WHOLE NEW WORLD came off as ill-conceived and hastily done.  It's not a very good book.

February 19, 2015

Review: Amnesia

Amnesia By Peter Carey
Available now from Knopf (Penguin Random House)
Review copy

Two-time Man Booker Award winner Peter Carey has written some amazingly beautiful books.  AMNESIA is not one of them.  It starts promisingly, with a young woman (Gaby Baillieux) using a computer virus to release Australian prisoners - and accidentally unleashing the virus on American prisons too.  I couldn't wait to read Carey's literary take on a sci-fi thriller premise.

Unfortunately, the actual main character is Felix Moore, a disgraced journalist who kisses basically every woman in the story despite being old, in debt, nationally regarded as a liar, and otherwise devoid of any personal magnetism.  The blurb describes him as 'known to himself as “our sole remaining left-wing journalist,”' which says basically everything you need to know about his self-aggrandizing asshole tendencies.  This is pretty typical of his thought process:

"I wasn't really a creep.  I was a good person. I had been secretly in love with her.  I had lost her to another man.  Now was not the time for that discussion." - page 62, ARC

The plot is a meandering thing, weaving back and forth in the past for multiple generations, tying obscure Australian history to Felix's romantic woes to Gaby acting like a twenty year old when she was supposedly born in 1975.  Not to mention Gaby herself doesn't really come into play until a third to halfway through the book, and then mostly through rambling tapes that get filtered to Felix.  Felix, whose only interesting quality is being an unreliable narrator.

I thought AMNESIA was a total, nigh impenetrable slog.  I kept having to look at the cover to confirm that yes, this wasn't some random other Peter Carey.  I don't even think this is essential for fans.

February 11, 2015

Review: Deadeye

Deadeye Book one of the Mutant Files
By William C. Dietz
Available now from Ace (Penguin Random House)
Review copy

I picked up this book because of the awesome cover and because Ace is one of those imprints that tends to put out my sort of books.  I loved the beginning, wherein Detective Bruce Conti begins his partnership with Cassandra Lee.  I liked that it was a reversal of the usual setup.  The guy is the younger, less experienced one trying to prove himself to the squad and she's the world-weary one who has seen too many partners come and go.

But I started to suspect that DEADEYE wasn't for me when Conti died in chapter two of stupidity.  That is, running out in front of nine armed men without a bulletproof vest for reasons that are never adequately explained.  Lee's narration later suggests that he loved her, which ... they knew each other for about a week, and he was attracted to her but they were still standoffish.  Of course, Lee's partner falls in love with her in about the same span of time, so it's that kind of book.

And it turned out the Lee that those first chapters sold me on was a mirage.  She's not a hyper-competent cop with an aim to put everyone else to shame.  Her competence comes and goes as the plot requires.  This includes getting into a lockable cage just because a nice man asks her to.  Her aim gets worse as the book goes on.  As for her detective skills, she starts to suspect that the high-profile girl whose bodyguards were paid off was kidnapped specifically and not just snatched randomly by human traffickers after she tracks the traffickers down and they've already passed her off to the buyer.  It's present like another obstacle in the plot instead of a flashing sign that all the detectives involved need to learn to stop and think before leaping in guns a-blazing.

But why is it called the Mutant Files, you might ask?  Because a virus spread through the human race, killing some and mutating others.  Now the norms and the mutants live separately, wearing face masks and other gear when they cross the border into the others' territory.  After all, the virus is still highly contagious.  Which is why Lee worries about eating too close to her partner but still has sex with him.  As if a virus with a variety of wildly different symptoms didn't strain my disbelief enough.

This book is a mess.  The main character is unbelievable, the world makes no sense, and the plot is basically an excuse for one shootout after another.  There's almost no weight to the climax because it's just one more gun battle of many.  It does have a woman as the lone-wolf detective with a guarded heart, which is about all it has going for it.

August 12, 2014

Review: Fool's Assassin

Fool's Assassin Book one of the Fitz and the Fool trilogy
By Robin Hobb
Available now from Del Rey (Penguin Random House)
Review copy

I love the way Robin Hobb writes.  I dived right into FOOL'S ASSASSIN, devouring it in a single Saturday.  I was so happy to spend more time with Fitz, to see his continued happiness with Molly and contentment with life.  Returning to this character and setting was like a reunion with old friends, even though I knew bad things would have to happen in order to set a new trilogy in motion.  But once I finished FOOL'S ASSASSIN, I had to face the facts.  I might've enjoyed it, but it was a terrible book.

The pacing is super slow.  The opening tells of a messenger who is murdered before she can deliver her message, with Fitz ominously intoning that it would be years before he understood that it was the Fool trying to reach him.  The book then proceeds to detail the decade plus before Fitz gets the message, and then spend some more time detailing quotidian stuff while Fitz dithers.  I'm used to Hobb's books being filled with action and adventure followed by a long denouement, not this long build up.  Nothing really happens.  Even worse, nothing unpredictable happens.  I put together every twists approximately 500 pages before Fitz did.  Not good when Fitz is supposed to be clever.

FOOL'S ASSASSIN introduces several new characters, including a new narrator, Bee.  Her voice was distinct from Fitz's, and it was easy to tell their chapters apart even though they weren't labeled.  I liked several of the other new characters too, more fool me since something like 90% of them were dead by the end of the novel.  Before the ending, I at least hoped all of the elements being built up (including the new characters) were going somewhere.

If you are a fan of the Farseer and the Tawny Man trilogies, I do recommend FOOL'S ASSASSIN.  The Six Duchies world is as immersive as ever, and there is the promise of trouble on the horizon.  It seems that peacetime will end soon for Fitz and his country.  If you aren't familiar with the previous novels featuring Fitz and the Fool, then I don't recommend starting here.  FOOL'S ASSASSIN is too meandering to appeal to anyone but fans.

(And despite the title, you should be prepared for the Fool to take a very long time to show up.)

June 23, 2014

Review: Great

Great By Sara Benincasa
Available now from HarperTeen (HarperCollins)
Review copy

Confession: I don't really like THE GREAT GATSBY.  I find Scott Fitzgerald's prose overly self-conscious and I found the love story off putting.  But when I heard about a lesbian YA retelling, I couldn't resist.  GREAT transplants the original Jazz Age novel to the modern Hamptons and keeps the plot almost wholesale while eliding or confusing some of the themes.

I didn't expect the original themes to be kept intact; I expected the modern, lesbian update to play around and perhaps comment on them.  I didn't feel any commentary though, just a sort of remainder of rich vs. poor, upper class vs. low, without any sort of old money vs. new money remaining.  Narrator Naomi's new money mother is pretty accepted in the Hamptons, as is Naomi herself.

GREAT also didn't feel like it lived up to the promise of being a lesbian THE GREAT GATSBY.  Naomi, the narrator, is straight.  GREAT takes almost half the novel before Jacinta (Gatsby) and Delilah (Daisy) meet.  When they do, it is a case of obsessed meeting self obsessed.  Even the characters point out that it isn't much of a love story.  Neither Jacinta nor Delilah like or love anything about who the other really is.  At least there was some sense of requited love in THE GREAT GATSBY.  The main change Delilah's bisexuality and Jacinta's lesbianism add to the novel is a chance for Teddy (Tom) to add homophobia to his suite of unattractive attributes.

It's hard for me to judge GREAT on its own.  As I said, I don't like THE GREAT GATSBY, but I thought I might enjoy something playing off of it in a modern way.  I felt like GREAT kept most of the elements I didn't like and made changes that just made me less likely to dislike the novel.  Jay Gatsby might have been a little nuts, but he was also a force of nature.  Jacinta Trimalchio is definitely a little off, and I just wanted someone to help her find a good therapist.  Delilah's sole redeeming quality is that she's nice to Naomi.

I did like Sara Benincasa's style.  I'd be willing to try a different book by her.  I'd even read the book about Skags, Naomi's butch best friend back home in Chicago, romancing the head cheerleader over the summer.  That rarely referenced sub-subplot intrigued me far more than a rehashing a novel that never quite manages to make me thing that the updates to the original work.  GREAT was a touch too faithful, instead of finding its own voice.

June 2, 2014

Review: Breaking Free: True Stories of Girls Who Escaped Modern Slavery

Breaking Free By Abby Sher
Available now from Barron's Educational Series
Review copy

In my quest to read more nonfiction, I stumbled across BREAKING FREE.  It tells the stories of three women who escaped sexual slavery - Somaly Mam, Minh Dang, and Maria Suarez - with an additional section detailing more facts about sexual slavery, what to read next, and what to do to stop human trafficking.

I really appreciated that Abby Sher focuses on what Mam, Dang, and Suarez did after they escaped their captors and how they went on to help other women in sexual slavery.  She's very clear about what happened to them, but refrains from prurience.  There are none of those magazine descriptions of rape that go into every little detail.  However, I felt that Sher's writing was too simplistic.  This is a book about sexual slavery for teens, but the style often made it seem like a book about sexual slavery for children.  I preferred the quotes in BREAKING FREE taken directly from Mam, Dang, or Suarez.

The majority of the book, slightly over one third, focuses on Mam.  She has saved innumerable Cambodian girls from sexual slavery through her foundation AFESIP.  However, she resigned from her foundation after the May 21, 2014 Newsweek article "Somaly Mam: The Holy Saint (and Sinner) of Sex Trafficking" by Simon Marks.  This article revealed that Mam lied about parts of her history and coached other girls to lie about theirs.  It casts a pall over this section of the book, and the depth of Sher's research.  (There have been previous, less complete and publicized reports, of the inconsistencies in Mam's stories.)

I think others might stumble upon BREAKING FREE and be inspired by the stories of survival and activism within.  But I can't recommend it as an introduction to the topic of sexual slavery.  I do recommend that people look into the stories of Maria Suarez and Minh Dang.  They will be particularly eye opening to some readers, because both women were held captive in the United States.  Trafficking is a problem everywhere.

March 26, 2014

Review: Mafia Girl

Mafia Girl By Deborah Blumenthal
Available now from Albert Whitman Teen (Albert Whitman & Company)
Review copy

I have a weakness for books involving the mafia.  It started when I was a kid and wanted to grow up to be a mob boss, before I realized I didn't have a lot of the prerequisites and am ridiculously law abiding.  But it still tempts me in fiction.

Gia is the daughter of a crime boss, but she has other hopes for her future.  She's going to go to college.  And really, it's not that she wants to get out of the life.  She's sick of being worried about her father's safety, but she's perfectly happy having money and a powerful name behind her, no matter the source of that money or name.

MAFIA GIRL does follow a period of some change in Gia's life.  She gets arrested for driving drunk and crushes hard on the arresting officer.  She also decides she's going to run for class president, get something more positive on her record.  The class president plotline worked fairly well for me.  Gia's friends are pretty interesting (particularly neglected Clive) and it forced Gia to be somewhat introspective and think about what she had to offer.

The romance didn't work for me at all.  MAFIA GIRL is very clear that Gia is recently seventeen.  Meanwhile, Michael is a police officer who did a stint in the military.  So, even if he just did a four-year active term, he's twenty-two at the very least.  (Although I'd say closer to twenty-three at the least.)  It might not be so weird if MAFIA GIRL addressed the age difference at any point.  Instead, the only difficulty Gia and Michael see is her father and his line of work.  I can see Gia just having a crush on an older guy, but I never figured out why Michael reciprocated.  Because she looks good?  Their early interactions don't really make a great case for Gia's personality.  (In fact, to ensure they meet again, she employs a bit of stalking.)  And, oh yeah, she's underage and he knows it.

I wanted to like MAFIA GIRL, but it was a bit of a mess.  There was a hollowness at the core.  The romance is creepy and the ramifications of Gia's father being a mob boss are never explored.  I guess he's just one of those nice mob bosses.  I'll stick to SON OF THE MOB.

January 6, 2014

Review: Fic

Fic Why Fanfiction Is Taking Over the World
By Anne Jamison
Foreward by Lev Grossman
Essays by Cyndy Aleo, V. Arrow, Tish Beaty, Brad Bell, Amber Benson, Peter Berg, Kristina Busse, Rachel Caine, Francesca Coppa, Randi Flanagan, Jolie Fontenot, Wendy C. Fries, Ron Hogan, Bethan Jones, Christina Lauren, Jacqueline Lichtenberg, Samira Nadkarni, Rukmini Pande, Chris Rankin, Tiffany Reisz, Andy Sawyer, Andrew Shaffer, Heidi Tandy, Darren Wershler, Jules Wilkinson, Jen Zern
Available now from Smart Pop (BenBella)
Review copy

Based on the long list of names above, I assumed that FIC: Why Fanfiction Is Taking Over the World was a collection of academic essays edited by Anne Jamison.  But no, it is a long scholarly work by Anne Jamison with periodic short essays by other people with various perspectives on fandom has a whole.

FIC is divided into sections based on several megafandoms.  The first four, on Sherlock, Star Trek, Buffy, and the X-Files, are fairly well done.  Sherlock and Star Trek both cover a great deal of pre-internet fanfiction, while Buffy and the X-Files cover the beginning of fic on the internet.  The Harry Potter and Twilight sections are shakier.  I felt that Harry Potter went by quicker than the other sections, and glossed over some things.  Jamison glosses over Cassandra Claire's plagiarism (the most important being several pages of Pamela Dean's writing), trying to make it just a game and pulling out the old fic is basically plagiarism anyway. (It isn't.)  There's an essay from Heidi8/Heidi Tandy that presents her as a totally reliable point of view instead of a figure frequently at the heart of controversy.

Then we get to Twilight.  Jamison is clearly too close to the fandom to really give a good portrait.  She is very clearly in favor of pull-to-publish, or P2P.  The other side of the argument is given short shrift in favor of several essays by people who agree with Jamison's point of view.  In fact, the authors of BEAUTIFUL BASTARD get an essay together in addition to individual essays.

But I must say that the essays are the best part of FIC.  The essay authors make fewer pretenses about their biases and only focus on the narrow aspects of fandom that they are experts in.  Jamison shows some of her ignorance just by what she chooses to include.  Her megafandoms only include Western sources.  The only fandoms represented are literature, television, and film.  And why not throw in some discussion of small-to-medium fandoms?  I read this book in December as Yuletide was happening.  Now there's a big event that shows a wonderful slice of small fandoms all at once, albeit also mostly Western focused.

I was quite disappointed in FIC.  I'm all for people taking a scholarly approach to fandom.  But this is quite slipshod.  The style isn't that great, either.  The Sherlock section constantly makes reference to a fic that isn't excerpted.  Am I supposed to stop reading FIC and track down this story and read it before continuing?  As for when Jamison does excerpt fics, her glowing introductions generally leave me with secondhand embarrassment.  Don't tell me that a fairly pedestrian set of sentences are going to totally make me see Edward and Bella in a new postmodern sex positive light.

There's some interesting history in here.  But take Jamison's point of view with a grain of salt.

December 11, 2013

Review: Ascension

Ascension The first Tangled Axon novel
By Jacqueline Koyanagi
Available now from Masque Books (Prime Books)
Review copy

I was excited about ASCENSION when everyone started talking about it on Tumblr.  If there's one thing blogging has taught me, it's that there is a demand for stories with diverse characters.  Along comes a science fiction tale with characters of varied ethnicity and sexualities, plus the protagonist has a debilitating chronic illness.  Unfortunately, you can't build a story on diversity alone.

ASCENSION suffers from a serious lack of plot, first of all.  There is a major, devastating event at the beginning and a flurry of activity at the end.  Between that, not much happens.  And the ending isn't enough to save it.  The reveals about the true nature of the Tangled Axon were things I'd figured out long before, much like main character Alana's older sister Nova.

The sororal relationship between Alana and Nova was my favorite part of the book.  They have very different outlooks and goals in life, which leads to quite a bit of friction.  At the same time, they love each other unquestionably and do quite a bit to keep the other safe.  The other relationships in the novel didn't move me as much.  Most of the Tangled Axon crew are underwritten and the romance is uneven.  Alana thinks Captain Tev is hot as soon as she sees her after she stows aboard.  She starts thinking about how she's falling in love before they have any real personal conversations, which just didn't work for me.  It was mostly Alana pining instead of real interaction, and I need interaction in my love stories.

Good worldbuilding could've saved ASCENSION.  But honestly, I couldn't tell you much about this spacefaring future.  There's a medical company, Transliminal, that's quite powerful, which is plausible.  Nova is a sort of religious witch, although I never fully understood how her powers worked.  Alana is an engineer in space for the first time, and while she's certainly fascinated by the Tangled Axon, we never really get scenes of her repairing or otherwise working on the ship.  How does space travel work in this universe?  Who knows.

It felt like ASCENSION wanted to be a romance novel above all else.  But the romance style didn't work for me, and that left the science fiction and action-adventure elements too thin on the ground.  ASCENSION is more for people who like their science fiction heavy on the philosophy.  I'm sure there is an audience for this book, but sadly I am not it.  I do, however, applaud Jaqueline Koyanagi for developing a diverse future.  That is a good start.

August 3, 2013

Review: Accidents Happen

Accidents Happen By Louise Millar
Available now from Atria/Emily Bestler Books (Simon & Schuster)
Review copy

I have been trying to read this book for weeks and I am now throwing in the towel.  I have no desire to finish ACCIDENTS HAPPEN and I have other things to read.  I had really high hopes for this one, and the ever-so-slightly-off opening lived up to those hopes.  But then I just kept getting less interested.

1) Don't mention the thing.  In the first several chapters, Louise Millar has several characters mention a thing that paranoid Kate Parker bought without mentioning what it is.  This builds up quite a bit of hype, intentionally, since most of the characters have no reason not to just say what it is.  The actual object is a letdown.

2) Villain POV.  ACCIDENTS HAPPEN is billed as a psychological thriller where Kate doesn't know if she's right to be anxious and paranoid or imagining everything.  Good thing we slip into the villain POV and know that someone is breaking into the house!  It manages to deflate the tension without giving any indication (at least to over halfway through the novel) as to why the man is stalking Kate.

3) Broke my suspension of disbelief.  Kate is trying to overcome her anxiety, partially because she's sees the negative effect she's having on her son's life.  When she meets a stranger named Jago who is an expert in the field, she instantly trusts him despite the fact that he encourages her to do dangerous and illegal things.  There is a difference to not being afraid to go to the corner store and pick up some milk, and not being afraid to trespass.  There are dumb things to do even if you aren't anxious, so it just strained my credulity to breaking that Kate instantly trust Jago.

4) Unsympathetic to conflict.  Remember I mentioned that negative effect on Kate's son?  A central bit of conflict is that his grandparents are just about ready to report Kate to child services and take custody.  That motivates Kate not only truly seek to change, but to notice that he has been hurt by her behavior.  I'm all for Kate getting help and becoming a functioning mother, but I find it hard to be sympathetic to her keeping custody of Jack at this moment of time.  (Extra especially since I know what she doesn't due to the villain POV.)

I've heard good things about the end, but I just have no steam for those last 180 or so pages.  I regret forcing myself to read as far as I did and I'm sure I'll just be less kind to ACCIDENTS HAPPEN if I keep going.

December 13, 2012

Review: Falling Kingdoms

Falling Kingdoms Book One of the Falling Kingdoms series
By Morgan Rhodes
Available now from Razorbill (Penguin)
Review copy
Part of the 2012 Breathless Reads

I love high fantasy epics.  I mean, people have written pages upon pages about the problems of Robert Jordan, Terry Brooks, George R. R. Martin's, et al's style and while all of that criticism has a point, it doesn't matter for me. 

I love fat, bloated fantasy that is grandiose and full of melodrama.  Gimme secret children, incest, betrayal, political intrigue, loving descriptions of servant number five's uniform any day of the week.

Thus, I expected to love FALLING KINGDOMS.  As you've probably discerned by now, I didn't.  One of the big problems for me was the structure.  The book cycles through several points of view - at least five - which isn't inherently bad, but I never really connected with any of the narrators.  They're living in a crappy world that forces them to make tough decisions, but I wasn't feeling their anguish.  These are teenagers who are instrumental in pushing their countries from peace to the brink of war!  And yet, they all felt like small people.  They were all sort of mopey in the same way, aside from Jonas, who was also righteously angry.

FALLING KINGDOMS also felt oh-so-predictable.  Morgan Rhodes is obviously taking more after the model of Martin than Jordan, but part of what makes A Song of Ice and Fire/Game of Thrones so much fun is when it subverts genre expectations.  Look, as I pointed out in my intro, I love the tropes and style of high fantasy.  But FALLING KINGDOMS didn't seem like it was having fun with them.  It just sort of lurched through unhappy set pieces.  All the grimdarkness and angst beat me down.

I have high expectations for the titles Penguin Teen names as Breathless Reads.  I've enjoyed almost all of them, even when I didn't expect too.  FALLING KINGDOMS didn't even come close to leaving me breathless.  More like a sad sigh of frustration that I was in North Dakota and it was the last book I'd taken with me that I hadn't read.

I do recommend Morgan Rhodes' books as Michelle Rowan.  Honestly, I never thought I would say one of her books wasn't fun. 


November 9, 2012

Review: Perfect Bait

Perfect Bait
By Michael Fowlkes
Available now from Thunderbird Press
Review copy

I enjoy a good suspense novel now and then.  They're fast and intense and good for distracting myself from a boring afternoon.  PERFECT BAIT sounded like a fast-paced thrill ride from the back copy - "a riveting story of kidnapping, rape, and murder" and "a fight for their lives."

Well, I made it 111 pages (out of 381) and there was only the faintest suggestion that someone might be missing.  Instead PERFECT BAIT was about Corey Phillip's failed relationship with his first wife, Karyn, his new relationship with Jennifer, and Corey and Jennifer's restoration of a boat.  Michael Fowlkes isn't a bad writer, but he did not write a thriller.

But when I received my review copy and noticed that the publisher classified PERFECT BAIT as an erotic romance, not a thriller.  (So why the thriller title and back copy?  I don't know.)  But the erotic elements were also missing.  I found the relationships sort of awkward.  Both begin with a friendship followed by sex, an immediate exchange of "I love you," and then dating.  Considering that Corey's relationship with Jennifer is supposed to be unlike his relationship with his ex-wife, it is unfortunate that the two relationships follow the exact same trajectory.  Corey and Karyn get a detailed sex scene, one of those hilariously unrealistic ones where two virgins come three times a piece.  After that, all the sex was of the vague purple prose that doesn't actually describe anything resembling sex variety.  I don't mind a lack of graphic sex scenes, but it seemed like another mislabeling.

And, well, I was turned off the story pretty early on due to this line: "Men go to war; women pick up the pieces.  Men kill; women nurture (30)."  It was such an eye roller that I didn't care to dissect whether that was the character or author talking.

That brings me to the point that PERFECT BAIT is written in first person, through Corey's point of view, but the narrative had an odd tendency of slipping into someone else's point of view for several paragraphs before returning to Corey's.  There didn't seem to be a point to this technique, so it was simply distracting.

Maybe PERFECT BAIT did eventually turn into a thriller.  But I gave it more than a hundred pages and nothing thrilling happened.  I got tired of waiting.

July 27, 2012

Review: Mothership

Mothership Book One of the Ever-Expanding Universe
By Martin Leicht and Isla Neal
Available now from Simon & Schuster
Review copy

I wanted to read MOTHERSHIP because all the reviews said it was absolutely hilarious and the title is a pun.  I can never resist a good pun.  Plus I thought the bright, retro cover was super fun.  (It's even cooler in person.  The computer screen doesn't show how much the pink pops against the purple.)

The reviewers were right:  MOTHERSHIP is hilarious.  Sixteen-year-old Elvie Nara's snarky, clever voice carries the novel.  She's three months away from her due date when commandos invade the Hanover School for Expecting Teen Mothers (which is IN SPACE!) and tell the girls that their teachers are aliens.  The chapters alternate between explaining how she got pregnant and the survivors' journey to get off the ship.  (This journey is noticeably unimpeded by the pregnant girls needing to pee, having difficulty maneuvering, or any other issue you might expect to arise due to their physical condition.)

But I couldn't quite gel myself to MOTHERSHIP's breezy tone.  The trouble started when I realized Britta, another girl at the school, was pregnant by the same guy as Elvie.  Naturally the girls hate each other more than Cheater McCan't-Keep-It-In-His-Pants.   Lots of reviewers said sweet-but-dumb Cole grew on them as they read.  But he didn't grow on me, particularly not as I realized exactly how bad of a position "sweet" Cole put Elvie in.

Then there's the fact that the entire book is about young, pregnant women in danger and many of them die in horrible ways.  I love black comedy, but I like my black comedy black.  I don't like dead pregnant teenagers in my snarky one-liner comedy.  Then there's the horrid awfulness that comes as more of the aliens' plans are revealed.  It's invasive and gross and I can't believe none of the girls choose to terminate their pregnancies.  MOTHERSHIP has a novel's worth of consent issues that are addressed for approximately three pages.

SPOILERS SPOILERS SPOILERS SPOILERS

Plus, why are all of them teenagers?  What, the aliens can't impregnate grown women?  It's particularly disturbing since the aliens are older than they look.  Cole's only nineteen, but what if the other baby daddies are older?

SPOILERS SPOILERS SPOILERS SPOILERS

I absolutely loved Elvie and thought-her voice was spot-on.  But she, her father, and best friend Duckie deserve a better plot than MOTHERSHIP offers them.  Martin Leicht and Isla Neal have talent and humor, but the bright spots of MOTHERSHIP are offset by all the times I thought I was going to be sick.

April 28, 2011

Review: 5 Very Good Reasons to Punch a Dolphin in the Mouth

By Matthew Inman (the Oatmeal)
Available now from Andrews McMeel Publishing
Review copy

5 Very Good Reasons to Punch a Dolphin in the Mouth (And Other Useful Guides)

Okay, I often don't talk about what format I read a book in. I read the epub version of 5 VERY GOOD REASONS TO PUNCH A DOLPHIN IN THE MOUTH, which is relevant because the resolution wasn't all that awesome. You couldn't really zoom, which meant some bits were almost impossible to read. Judging by the reviews on Amazon, that hasn't been fixed. So printed is the way to go. Not that I expect many people to be more interested in the e-version of this. It's easier to browse through the random comics with a book or on the site than in an ebook.

I was excited for 5 VERY GOOD REASONS TO PUNCH A DOLPHIN IN THE MOUTH because I'm a big fan of the Oatmeal, author Matthew Inman's humor site. There are great infographics about such things as grammar, vocabulary, cheese, and coffee. There are also fun quizzes and some delightfully surreal comics, such as the eponymous work. It's nice to have some favorites collected and at hand.

At the same time, when idly browsing on the internet I never noticed how often Inman jokes about hookers. Not particularly good jokes, either. It got kind of uncomfortable after awhile.

Between being underwhelmed by the format and overwhelmed by (dead) hooker jokes, I was less impressed by 5 VERY GOOD REASONS TO PUNCH A DOLPHIN IN THE MOUTH. I'll continue to check the website, but I don't think I'm going to purchase the book for myself or as a gift for friends.

January 13, 2011

Review: Sinful

Sinful

By Sara Dailey and Staci Weber
Available now from Mundania Press
Review copy
Visit other tour stops

The first downside is that SINFUL suffers from the same problem as a lot of small press books. Typos, typos, typos. It grates on my nerves a little every time I notice something wrong which doesn't put mean in a mind to be generous.

And boy, does SINFUL need me to be generous.

The back cover blurb introduces Elizabeth Carrington, who moves to League City, Texas after her mother's death. It also introduces the angel Michael who falls instantly for Elizabeth since she's "so alluring that he can't force himself to resist her." (Elizabeth's reasoning is just as simple but more understandable: he's hot.) The problem with this is that Elizabeth, quite frankly, is an asshole.

She thinks rude things about people who try to be nice to her. She calls other girls bitches and hobags with little provocation. She congratulates herself on quips so clever they leave her opponent speechless, when her opponent is likely just speechless that she said something so mean and crass when they weren't even arguing. No, I don't get why Michael would become human to be with her.

Lyndsee, the head mean girl, almost becomes a sympathetic character. Elizabeth accidentally hits her with a car door and a plate of food once. But then she does those things on purpose. (Assault! How heroic!) Lyndsee also gets dumped. Then her boyfriend sides against her in public (twice) because he thinks the humiliation will do good things for her personality.

Oh, and one of those faux-clever clips is delivered to Lyndsee. Yeah, bulimia jokes are real funny.

Lyndsee's significant other is the hottest boy in school (who still isn't as hot as Michael). In fact, he's so hot that everyone refers to him by his full name. Which makes me wish someone had said something to Dailey and Weber, because I couldn't help but laugh everytime his name was said.

That's right. The hottest guy in school is Jason Alexander.

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The best character in the story is Daniel, a slightly unhinged former angel. Unfortunately he doesn't show up all that much. Oh well, I'd've probably found something to dislike if he showed up enough.

August 9, 2010

Review: The Iron Daughter

I start my job today! I am finally employed!

By Julie Kagawa
Available now from HarlequinTEEN
Read my review of THE IRON KING
Review copy

The Iron Daughter (Harlequin Teen)

As you might recall from my review, I wasn't big on THE IRON KING. As I was interested in the quest, I decided to try THE IRON DAUGHTER anyway. I didn't finish it because the first part did nothing to change my mind about the series.

Meghan Chase and Ash are together now, but because of their agreement she must stay in his mother's treacherous Winter Court. He gives her several warnings about the situation she's gotten herself into. Instead of trusting him, Meghan proceeds to draw attention to herself and their relationship.

There could be potential in the court. After all, Ash has several conniving brothers who aren't happy that the youngest is the favorite. The queen herself has all those issues with Oberon. But the Winter Court is quickly dispensed with (and several potentially interesting characters - as set up in the beginning - are killed) and the real story begins when Meghan continues her quest.

At this point, I closed the book to go do something. It's been quite awhile now and I haven't bothered to pick it back up and doubt if I ever will. I know several people have been enjoying the Iron Fey series, and more power to them. But I don't think Julie Kagawa's works are for me.

May 5, 2010

Review: Boy Books

Side note: you can vote on best National Poetry Month Post.

This is a series of mini-reviews I wrote over two months ago. I lost them when my lappie crashed, recovered them along with the rest of the hard drive, but still never posted them.

CANDLE MAN: THE SOCIETY OF UNRELENTING VIGILANCE
By Glenn Dakin

Book Cover

Available now from Egmont USA; Paperback available May 25th
Have face-melting fun here
Review copy

Book Cover

I am enjoying the current popularity of steampunk, even as it confirms that cyberpunk is truly dead. Likewise, I am enjoying Egmont USA's debut on the scene. Imprints seem to start with an impressive list, and I'm definitely looking forward to what this one will put out in the next year or so based on what I've read. (Check out Egmont USA titles I've read since.)

CANDLE MAN is a nice middle grade/young adult crossover title. It's written for a younger audience, but contains a complexity that will keep adults entertained. Plus, it's good for kids to read books that revel in shades of grey. CANDLE MAN has few characters that are true evil, despite resembling Saturday morning cartoon villains. In addition, the forces of evil speak only of kindness and doing good works. It's a nice introduction for kids to the use of rhetoric to conceal what's really going on. (The adventure story is pretty good too.)

I AM A GENIUS OF UNSPEAKABLE EVIL AND I WANT TO BE YOUR CLASS PRESIDENT
By Josh Lieb
Available now from Razorbill (Penguin); Review copy

Book Cover

I AM A GENIUS OF UNSPEAKABLE EVIL AND I WANT TO BE YOUR CLASS PRESIDENT is often compared to Family Guy. This comparison is unfair. Both feature an evil child, but I AM A GENIUS OF UNSPEAKABLE EVIL is actually funny. (Better comparison? A cross of THE KID WHO BECAME PRESIDENT and THE GOSPEL ACCORDING TO LARRY.) When I began, I wondered if Oliver Watson was actually a genius or deluded by his mother. Then Josh Lieb made it absolutely clear that Oliver is a genius, if somewhat deluded about what he feels for his parents. This book is fast and funny, with fun pictures and footnotes. (Books that use footnotes are ten times as likely to be funny, no lie.) In a world where more and more books are part of a series, I miss reading a good standalone. I AM A GENIUS OF UNSPEAKABLE EVIL scratched that itched.

Check out the cool author video featuring Jon Stewart:



WITCH AND WIZARD
By James Patterson and Gabrielle Charbonnet
Available now from Little, Brown; Review copy

Book Cover

I threw this in with reviews of boy books, but despite the title, this book is more WITCH than WIZARD. Wisteria Allgood gets about 75% of the narration and 90% of the powers. I'm all for girl power, but it seemed like Whit never did anything despite being older and in better shape – perfect for fighting against a totalitarian state. The book's action scenes work, but it is not as fun as the Maximum Ride series by James Patterson. Perhaps it's because I felt the main themes were being beat into me by a sledgehammer. (William Blake did the similar themes better in his poem "The Book of Thel.") There's a good premise here, but the execution is pedestrian.

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